Francesco Bartolozzi, 1785 - Francesco dAgeno - fine art print

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In 1785 Francesco Bartolozzi painted the classic art artwork titled Francesco dAgeno. The version of the work of art had the following dimensions: Sheet: 6 1/4 × 4 1/4 in (15,9 × 10,8 cm) and was painted on the medium etching and stipple engraving; second state of two. What is more, the artpiece is part of the The Metropolitan Museum of Art's digital collection, which is located in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1917 (public domain license). Creditline of the artwork: Harris Brisbane Dick Fund, 1917. What is more, the alignment of the digital reproduction is portrait and has an image ratio of 2 : 3, meaning that the length is 33% shorter than the width. The printmaker Francesco Bartolozzi was a European artist, whose style was mainly Rococo. The Rococo painter was born in 1728 in Florence, Firenze province, Tuscany, Italy and deceased at the age of 87 in the year 1815.

Materials you can pick

We offer a range of different sizes and materials for every product. The following options are available for individualization:

• The acrylic glass print: A glossy print on acrylic glass, which is sometimes referenced as a print on plexiglass, will convert the artwork into décor. Your favorite work of art is custom-made with the help of modern UV direct printing machines. Our real glass coating protects your chosen art print against light and external influences for many years.
• Aluminium dibond print: Aluminium Dibond prints are prints on metal with an outstanding depth effect. A direct Aluminium Dibond Print is your excellent start to the sophisticated world of art prints with aluminum. The bright sections of the original work of art shine with a silky gloss but without any glare. The direct print on Aluminum Dibond is one of the most popular entry-level products and is a modern way to display artworks, as it puts 100% of the viewer’s attention on the artwork.
• The canvas print: The UV printed canvas applied on a wood frame. It generates the distinctive effect of three dimensionality. A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without any wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
• Poster (canvas material): Our poster print is a printed flat canvas paper with a slight structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the painting, which facilitates the framing with a custom frame.

Important information: We try our best to describe the art products with as many details as possible and to display them visually on the product detail pages. Nonetheless, the colors of the printing material and the imprint can vary to a certain extent from the representation on the screen. Depending on your settings of your screen and the quality of the surface, colors might not be printed 100% realistically. Bearing in mind that all our fine art prints are printed and processed by hand, there might also be slight variations in the size and exact position of the motif.

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What does the The Metropolitan Museum of Art state about this work of art painted by Francesco Bartolozzi? (© Copyright - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Bartolozzi's print is based on a miniature by Cosway, the latter derived from an oil painting by Gainsborough. This second state appeared in "Prose e rime del Signor Francesco d'Ageno, ultimamente Ministro della Repubblica di Genova alla Corte della Gran Bretagna, raccolte e pubblicate da Girolamo Tonioli" (Prose and Verse by Francesco d'Ageno, lately minister of the Republic of Genoa to the court of Great Britain, edited by Girolama Tonioli), published London, 1790, by Dennett Jaques.