Rembrandt van Rijn, 1650 - Study of an Old Man - fine art print

The classic art artpiece was created by the male Dutch artist Rembrandt van Rijn. The original has the size: height: 80,5 cm width: 66,5 cm | height: 31,7 in width: 26,2 in and was produced on the medium oil on canvas. The original artwork was inscribed with the following details: bears signature and date: Rembrandt.f. / 1650. Nowadays, the artwork is included in the Mauritshuis's collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. This classic art artwork, which belongs to the public domain is supplied with courtesy of Mauritshuis, The Hague. : Jean-Baptiste-Pierre Lebrun, Paris, 1809-1810; Este sale, Paris, 28 April 1819, lot 64 (unsold; as kindly communicated by B. Fredericksen); Sébastien Erard, Paris, until 1832; Sir William Wellesley Knighton, Blendworth Lodge, Hampshire, 1885; Lesser Gallery, London; Sir John Robinson, London, 1889; Agnew’s, London, 1890; Charles Sedelmeyer Gallery, Paris, 1890; purchased, 1891. Besides this, the alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Rembrandt van Rijn was an artist from the Netherlands, whose style was mainly Baroque. The European artist was born in 1606 in Leiden and passed away at the age of 63 in 1669 in Amsterdam.

Additional specifications by Mauritshuis website (© - Mauritshuis - www.mauritshuis.nl)

Jean-Baptiste-Pierre Lebrun, Paris, 1809-1810; Este sale, Paris, 28 April 1819, lot 64 (unsold; as kindly communicated by B. Fredericksen); Sébastien Erard, Paris, until 1832; Sir William Wellesley Knighton, Blendworth Lodge, Hampshire, 1885; Lesser Gallery, London; Sir John Robinson, London, 1889; Agnew’s, London, 1890; Charles Sedelmeyer Gallery, Paris, 1890; purchased, 1891

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For every art print we offer a range of different sizes and materials. Choose among the following product options now to match your preferences in size and material:

• Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth. For our Aluminium Dibond print, we print the selected work of art on the surface of the aluminum composite. The colors are bright and vivid in the highest definition, the fine details of the print are very clear, and you can perceive the matte appearance of the print. The UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely modern way to showcase fine art prints, because it draws focus on the image.
• The canvas print: The printed canvas, not to be confused with an artwork painted on a canvas, is an image printed on a canvas. Further, a printed canvas generates a lively and appealing impression. Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without the support of additional wall-mounts. Hence, a canvas print is suited for any kind of wall.
• Poster print (canvas material): The poster print is a UV printed canvas paper with a nice surface finish, that reminds the original artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2 - 6cm round about the artwork to facilitate the framing with a custom frame.
• Printed acrylic glass: The print on acrylic glass, which is sometimes described as a print on plexiglass, will transform your favorite original artwork into décor. Your work of art is being manufactured with the help of modern UV print technology. The major upside of an acrylic glass fine art copy is that contrasts and artwork details become more exposed with the help of the very fine gradation in the picture.

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Disclaimer: We try everythig possible to describe our products in as much detail as possible and to illustrate them visually on the different product detail pages. At the same time, some colors of the print products, as well as the printing may vary somehwat from the image on your device's monitor. Depending on your screen settings and the quality of the surface, not all color pigments can be printed 100% realistically. Bearing in mind that all fine art prints are processed and printed manually, there might as well be minor variations in the motif's exact position and the size.

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