Thomas Lawrence, 1794 - Portrait of Catherine Grey, Lady Manners - fine art print

Materials our customers can choose

The product dropdown menu ofers you the chance to pick your prefered material and size. The following sizes and materials are the options we offer you for individualization:

• Glossy acrylic glass print: The acrylic glass print, which is sometimes labelled as a print on plexiglass, will transform the artwork into marvellous décor and forms a distinct alternative to canvas or dibond art prints. The work of art is being custom-made with modern UV direct print technology. This creates impressive and rich colors. The great benefit of a plexiglass print is that contrasts and also minor painting details will be visible because of the granular gradation of the print.
• Aluminium dibond print: An Aluminium Dibond print is a print with an impressive depth effect. A direct Aluminium Dibond Print is your ideal start to fine art replicas with aluminum. For our Direct Print On Aluminum Dibond, we print the favorite artwork onto the surface of the white-primed aluminum.
• Canvas print: The canvas print is a printed canvas stretched on a wood stretcher. How do I hang a canvas print on my wall? A canvas print has the advantage of being low in weight. This means, it is easy and straightforward to hang the Canvas print without any wall-mounts. A canvas print is suitable for all types of walls.
• Printed poster (canvas material): The poster print is a printed canvas paper with a slightly roughened finish on the surface. Please note, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with your custom frame.

Important note: We try to describe the art products as precisely as possible and to showcase them visually in our shop. Nonetheless, the tone of the print products and the imprint might differ marginally from the representation on your device's screen. Depending on the screen settings and the condition of the surface, color pigments may not be printed as exactly as the digital version depicted here. In view of the fact that all our art reproductions are processed and printed by hand, there might also be minor deviations in the motif's exact position and the size.

Artwork depiction from The Cleveland Museum of Art (© - The Cleveland Museum of Art - www.clevelandart.org)

Catherine Gray, Lady Manners, rejected this portrait representing her as the goddess Juno, symbolized here by the peacock. To make up for the loss of sale, Lawrence exhibited the painting at the Royal Academy in 1794 "to be disposed of." It did not sell and remained in his collection until after his death. Despite the rejection, the painting displays all the hallmarks of Lawrence’s flamboyant style, dazzling brushwork, and innovative use of color that helped secure his role as successor to Joshua Reynolds.

Summarization of the replica

In 1794 Thomas Lawrence created this romanticist work of art Portrait of Catherine Grey, Lady Manners. The original version was painted with the size: Framed: 280,5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in); Unframed: 255,3 x 158 cm (100 1/2 x 62 3/16 in). Oil on canvas was used by the artist as the technique for the piece of art. This artpiece is included in the digital collection of The Cleveland Museum of Art. With courtesy of: The Cleveland Museum of Art (license: public domain). : Bequest of John D. Rockefeller, Jr.. Further, the alignment of the digital reproduction is in portrait format and has a ratio of 2 : 3, meaning that the length is 33% shorter than the width. The painter Thomas Lawrence was a European artist, whose artistic style can be classified as Romanticism. The European painter lived for a total of 61 years, born in 1769 in Bristol, Bristol, England, United Kingdom and deceased in 1830.

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