Matthias Stom, 163 - The Adoration of the Magi - fine art print

340 kr

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Art product summarization

This more than 1850 year old masterpiece The Adoration of the Magi was created by Matthias Stom in 163. The original measures the size: Height: 175 cm (68,8 ″); Width: 172 cm (67,7 ″) and was crafted with oil on canvas. What is more, the work of art belongs to the Nationalmuseum Stockholm's collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. This public domain work of art is supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . On top of that, alignment is square and has an aspect ratio of 1 : 1, which means that the length is equal to the width. The painter Matthias Stom was a European artist, whose art style was mainly Baroque. The painter was born in the year 1599 in Amesfoort and deceased at the age of 53 in the year 1652 in Sicily.

Selectable product materials

The product dropdown menu gives you the opportunity to choose a material and a sizeaccording to your preferences. That is why, we allow you to choose among the following options:

  • Canvas: The canvas direct print is a printed canvas mounted on a wooden frame. It has the particular effect of three-dimensionality. Canvas prints are relatively low in weight. That means, it is quite simple to hang up your Canvas print without any wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
  • Aluminium dibond: This is a metal print made on aluminium dibond with an impressive depth effect. For your Aluminium Dibond print, we print the chosen artwork on the surface of the aluminum.
  • The poster print (canvas material): Our poster is a UV printed canvas paper with a granular structure on the surface. It is excellently qualified for placing the fine art print with a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm around the painting to facilitate the framing with a custom frame.
  • Acrylic glass print: The acrylic glass print, which is often referred to as a fine art print on plexiglass, makes your favorite original into home decoration. The acrylic glass protects your selected fine art print against sunlight and heat for many years.

Legal note: We try everything in order to describe the products as accurately as possible and to showcase them visually. Although, the tone of the print materials and the print result can vary marginally from the representation on your monitor. Depending on the screen settings and the quality of the surface, not all colors can be printed one hundret percent realistically. Since all our art reproductions are printed and processed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.

About this item

Print prodct: wall art
Reproduction method: reproduction in digital format
Production process: UV direct printing (digital print)
Manufacturing: made in Germany
Type of stock: production on demand
Intended usage: wall gallery, home design
Image alignment: square format
Side ratio: 1 : 1 (length : width)
Implication: the length is equal to the width
Item material variants: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame): 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Acrylic glass print (with real glass coating) size options: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180x180cm - 71x71"
Poster print (canvas paper) options: 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Aluminium print: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Frame: unframed reproduction

Structured artwork data

Work of art title: "The Adoration of the Magi"
Categorization of the work of art: painting
Created in: 163
Artwork age: around 1850 years old
Painted on: oil on canvas
Original artwork size: Height: 175 cm (68,8 ″); Width: 172 cm (67,7 ″)
Museum / location: Nationalmuseum Stockholm
Museum location: Stockholm, Stockholm County, Sweden
Museum website: Nationalmuseum Stockholm
License: public domain
Courtesy of: Nationalmuseum Stockholm & Wikimedia Commons

Artist metadata table

Artist name: Matthias Stom
Alias names: Matthias Stom, Stohom Matthias I, Mathieu Stom, Stroma Matthias, Stom Mathäus, Sturmer, Stom Matthias, Stomer Matteo Tomar, mathäus stomer, Matthias I Stomer, Mattheo Fiamengo, סטומר מתיאס, Matteo Stoma, Matteo Romar, Matthias Stomer, Matteo Fiamengo, Matteo Tomar, Stomma Matthias I, Stooms Mathäus, Stoom Mathäus, Tomar Matteo, Stoom Matthias, mattheo stom fiamengho, Stomer Matthias, Stom Matteo Tomar, Stom Mattheo, Stom Matthias I, Stomer Matthias I, Stomer, Stooms Matthias, Stomer Mathäus, Matteo Stomer, Stohom Mathäus, Stomma Matthias, Stohom Matteo Tomar, Stroma, Stomer Mathias, Stomma Matthias I, Stohom Matthias I, Stomma Matteo Tomar, Stomp, Matthäus Stomer, Stom Matthias I, Maître de la Mort de Caton, Mattio Fiamengo, Stoom, Stohom Matthias, Matteo Stroma, Ston
Gender of the artist: male
Nationality: Dutch
Jobs: painter
Country of the artist: the Netherlands
Styles: Baroque
Life span: 53 years
Born: 1599
Birthplace: Amesfoort
Died in the year: 1652
Deceased in (place): Sicily

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Original information about the artwork from Nationalmuseum Stockholm (© - Nationalmuseum Stockholm - www.nationalmuseum.se)

English: As recounted in the Gospel of Matthew, the three kings journeyed from the east following a star to seek out the king of the Jews at Bethlehem. Representing different ages, races, and continents – Europe, Africa, and Asia – their homage to Christ symbolises the submission of the temporal powers to the authority of the Church. Their gifts of gold, frankincense, and myrrh, were interpreted as symbols of the kingship of Jesus, his priestly ministry, and his incarnation as a man. The painting gives visual expression to the idea that the New Law was founded on the ruins of the Old: the space that accommodates the Holy Family and the retinue of the Magi is littered with the broken columns of an ancient temple. A surprisingly bright natural light illuminates the massive figures, modelled by sharp contrasts of light and shade. The magnificent spectacle of the Magi and their retinue, their brocade and silk garments rendered with exquisite attention to texture, is tempered by a desire for narrative clarity. By contrast with the realism of the male figures’ physiognomies, a more idealised mode was chosen for the portrayal of Jesus and Mary. I Matteusevangeliet berättas att de tre konungarna färdades österifrån och följde en stjärna som ledde dem till judarnas konung i Betlehem. De tre representerar olika åldrar, folkslag, och kontinenter – Europa, Afrika och Asien – och deras hyllning till Jesus symboliserar den världsliga makten underkastelse inför kyrkans auktoritet. Gåvorna i form av guld, rökelse och myrra, tolkades som symboler för Kristi kungavärdighet, prästämbete och människoblivande. Målningen åskådliggör tanken att det nya testamentet vilar på fundamentet av det gamla: på platsen där den heliga familjen tar emot de tre konungarna ligger de sönderbrutna pelarna från ett antikt tempel. Ett starkt dagsljus lyser upp de stadiga figurerna som modelleras fram genom knivskarpa kontraster mellan skuggor och dagrar. Det praktfulla skådespelet med konungarna, vars klädsel av sidenbrokad återges med en utsökt känsla för olika stoffer, kombineras med konstnärens strävan efter tydlighet i berättelsen. Realismen i gestaltningen av de manliga figurerna kontrasterar mot Jesusbarnets och Marias mer idealiserade former.

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