Thomas Cole, 1833 - Scene from Byron’s “Manfred” - fine art print

470 kr

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Supplemental information by Yale University Art Gallery (© Copyright - by Yale University Art Gallery - Yale University Art Gallery)

Landscape plays an integral role in this dramatic scene from Lord Byron’s “Manfred,” written around 1816. In the poem, Manfred stands at the edge of a spectacular waterfall, summoning “the Spirit of the place,” in the form of a beautiful Witch of the Alps. Although Thomas Cole omits the figure of Manfred, the ethereal female figure rises from the water’s spray beneath a rainbow, personifying the loveliness of nature. Cole described paintings like this one as “a higher style of landscape,” works that meld idealized views with literary and historic content.

Background information about the piece of art

Work of art name: "Scene from Byron’s “Manfred”"
Categorization of the artpiece: painting
General term: modern art
Century: 19th century
Created in: 1833
Artwork age: more than 180 years old
Original medium: oil on canvas
Original dimensions: 50 x 38 in (127 x 96,5 cm) framed: 60 3/4 x 48 5/8 x 2 3/4 in (154,31 x 123,51 x 6,99 cm)
Exhibited in: Yale University Art Gallery
Museum location: New Haven, Connecticut, United States of America
Web page: Yale University Art Gallery
Artwork license: public domain
Courtesy of: Yale University Art Gallery
Creditline of artwork: John Hill Morgan, 1893, .B. 1896, (Hon.) 1929, Fund

Artist summary table

Name: Thomas Cole
Alias names: Cole T., Thomas Cole, Cole, Cole Thomas
Gender of the artist: male
Nationality of artist: American
Professions: painter
Country of origin: United States
Classification: modern artist
Styles: Romanticism
Lifespan: 47 years
Born in the year: 1801
Birthplace: Lancashire, England, United Kingdom, county
Died in the year: 1848
Town of death: Catskill, Greene county, New York state, United States

Product background info

Article type: art reproduction
Method of reproduction: digital reproduction
Manufacturing process: UV direct printing
Production: manufactured in Germany
Type of stock: on demand
Intended product use: wall décor, wall gallery
Artwork orientation: portrait alignment
Image ratio: 3 : 4 length to width
Side ratio meaning: the length is 25% shorter than the width
Available reproduction materials: canvas print, acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond)
Canvas on stretcher frame (canvas print) size options: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Acrylic glass print (with real glass coating) sizes: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63"
Poster print (canvas paper) size variants: 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Aluminium dibond print (aluminium material): 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47"
Frame: please bear in mind that this art copy does not have a frame

Obtain your preferred art print material option

The product dropdown menu provides you with the chance to select your prefered size and material. We allow you to pick your favorite size and material among the following product individualization options:

  • Aluminium dibond: These are metal prints on aluminium dibond material with an impressive depth. For your Print On Aluminum Dibond, we print your favorite work of art right on the aluminium composite surface. The print on aluminium is the most popular entry-level product and is a truly contemporary way to display artworks, as it puts the viewer’s attention on the whole artwork.
  • The poster print (canvas material): A poster is a printed canvas with a slightly rough surface structure. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the print motif to facilitate the framing with your custom frame.
  • Canvas print: A canvas print, which should not be confused with a painting on a canvas, is a digital replica printed on an industrial printing machine. It produces a typical effect of three dimensionality. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. That is why, a canvas print is suited for all kinds of walls.
  • The acrylic glass print: An acrylic glass print, often described as a UV print on plexiglass, transforms your favorite original into marvellous home decoration. What is more, the acrylic glass art print offers a great alternative to canvas or aluminium dibond prints. The work of art is made with the help of modern UV direct printing technology. With an acrylic glass art print sharp contrasts and color details become exposed due to the subtle gradation.

Print product summarization

Scene from Byron’s “Manfred” was made by Thomas Cole. The beyond 180 year old original had the following size: 50 x 38 in (127 x 96,5 cm) framed: 60 3/4 x 48 5/8 x 2 3/4 in (154,31 x 123,51 x 6,99 cm). Oil on canvas was applied by the North American painter as the technique for the work of art. Nowadays, this piece of art is in the the digital art collection of Yale University Art Gallery in New Haven, Connecticut, United States of America. With courtesy of Yale University Art Gallery (license: public domain). : John Hill Morgan, 1893, .B. 1896, (Hon.) 1929, Fund. Furthermore, alignment is portrait with a ratio of 3 : 4, which means that the length is 25% shorter than the width. Thomas Cole was a painter of American nationality, whose style can be classified as Romanticism. The American artist lived for 47 years - born in 1801 in Lancashire, England, United Kingdom, county and died in the year 1848 in Catskill, Greene county, New York state, United States.

Legal disclaimer: We try the best we can to describe our products as accurate as possible and to demonstrate them visually on the product detail pages. Nonetheless, the tone of the print products, as well as the print result may vary to a certain extent from the representation on your device's screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Because the fine art prints are printed and processed manually, there may as well be slight differences in the size and exact position of the motif.

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