Léon Matthieu Cochereau, 1816 - The Hall of the thirteenth century at the Museum of French Monuments - fine art print
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(© - by Musée Carnavalet Paris - Musée Carnavalet Paris)
Former convent of the Petits Augustins current School of Fine Arts, Tombs. Gisants. Stained Glass (of the Saint-Germain-des-Pres), drawing character.
Information about the article
The Hall of the thirteenth century at the Museum of French Monuments is a painting made by the painter Léon Matthieu Cochereau in 1816. The 200 year old masterpiece has the size: Height: 64 cm, Width: 54 cm. The original artwork's inscription is the following: Registration on the date and the author - Sign the back of the painting: "This table is inside the room, 13th century museum / monument of French / Iº we notice on the front right the statue of Robert. / sixth son of Louis IX, Lord of Bourbon I. name. / 2º a stone cenotaph on which are lying the Statues / philippe of France, eldest son of Louis the big and the Constance / of Castile, wife of Louis VII . / 3rd stone cenotaphe on which are lying statues of / Robert the pious and his wife. / deep under the window, is the statue of hugues capet. / next to the statue of Eudes and behind against the wall the / statue of Childebert. / left part of the tomb of two son St. Louis / Painted by Cochereau in 1816.. Today, this work of art can be viewed in in the digital collection of Musée Carnavalet Paris in Paris, France. With courtesy of: Musée Carnavalet Paris (licensed: public domain).Creditline of the artwork: . The alignment of the digital reproduction is portrait and has an image ratio of 1 : 1.2, which implies that the length is 20% shorter than the width.
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- The canvas print: A canvas direct print is a printed canvas mounted on a wooden frame. It has a unique look of three dimensionality. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang up your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
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- Aluminium dibond print: This is a metal print made on aluminium dibond material with a true depth - for a modern impression and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is the ideal start to the sophisticated world of fine art prints with aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artwork right on the aluminium white-primed surface. The white & bright sections of the work of art shine with a silk gloss but without the glow. The colors of the print are luminous and bright in the highest definition, fine details are very clear.
- Acrylic glass print: An print on acrylic glass, often labelled as a UV print on plexiglass, transforms the original work of art into décor. The major advantage of a plexiglass print is that contrasts and small color details will be identifiable due to the subtle tonal gradation. Our real glass coating protects your chosen art print against light and external influences for many decades.
Brief overview of the artist
| Name: | Léon Matthieu Cochereau |
| Gender of the artist: | male |
| Nationality: | French |
| Jobs: | painter |
| Country of origin: | France |
| Artist category: | modern artist |
Structured details of the work of art
| Artpiece title: | "The Hall of the thirteenth century at the Museum of French Monuments" |
| Artwork classification: | painting |
| Broad category: | modern art |
| Period: | 19th century |
| Created in: | 1816 |
| Artwork age: | around 200 years old |
| Dimensions of the original work of art: | Height: 64 cm, Width: 54 cm |
| Signature on artwork: | Registration on the date and the author - Sign the back of the painting: "This table is inside the room, 13th century museum / monument of French / Iº we notice on the front right the statue of Robert. / sixth son of Louis IX, Lord of Bourbon I. name. / 2º a stone cenotaph on which are lying the Statues / philippe of France, eldest son of Louis the big and the Constance / of Castile, wife of Louis VII . / 3rd stone cenotaphe on which are lying statues of / Robert the pious and his wife. / deep under the window, is the statue of hugues capet. / next to the statue of Eudes and behind against the wall the / statue of Childebert. / left part of the tomb of two son St. Louis / Painted by Cochereau in 1816. |
| Museum: | Musée Carnavalet Paris |
| Museum location: | Paris, France |
| Web page: | Musée Carnavalet Paris |
| License type: | public domain |
| Courtesy of: | Musée Carnavalet Paris |
Structured item details
| Product categorization: | fine art print |
| Method of reproduction: | digital reproduction |
| Manufaturing technique: | UV direct printing (digital print) |
| Origin of the product: | German-made |
| Stock type: | production on demand |
| Intended product usage: | art print gallery, wall art |
| Image orientation: | portrait alignment |
| Aspect ratio: | 1 : 1.2 |
| Meaning: | the length is 20% shorter than the width |
| Available reproduction materials: | canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper) |
| Canvas on stretcher frame (canvas print) variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Acrylic glass print (with real glass coating) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Poster print (canvas paper) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium print (aluminium dibond material) options: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Framing of the artprint: | no frame |
Legal disclaimer: We try everything to depict our products as accurate as it is possible and to display them visually. However, the tone of the print materials, as well as the print result may vary to a certain extent from the presentation on your device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed as realistically as the digital version shown here. Bearing in mind that all the are printed and processed manually, there may as well be slight differences in the motif's exact position and the size.
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