Claude Monet, 1891 - Poppy Field (Giverny) - fine art print

Your individual visual art print

The artpiece was created by the impressionist master Claude Monet. The original was made with the size: 61,2 × 93,4 cm (24 1/16 × 36 3/4 in). Oil on canvas was used by the French artist as the medium of the artpiece. The original painting has the following text as inscrption: inscribed, lower right: Claude Monet 91. It is in the the Art Institute Chicago's art collection, which is located in Chicago, Illinois, United States of America. With courtesy of Art Institute Chicago (license: public domain). : Mr. and Mrs. W. W. Kimball Collection. The alignment is landscape and has a side ratio of 3 : 2, meaning that the length is 50% longer than the width. The painter Claude Monet was a European artist from France, whose artistic style was mainly Impressionism. The French artist lived for a total of 86 years and was born in the year 1840 in Paris, Ile-de-France, France and passed away in the year 1926 in Giverny, Normandie, France.

Order your favorite item material

The product dropdown menu ofers you the chance to pick your prefered material and size. We allow you to pick your favorite size and material among the following product individualization options:

• Canvas: A UV printed canvas material mounted on a wooden frame. A canvas print of your favorite artpiece will allow you to transform your art print into a large size artwork like you would see in a gallery. Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suited for any kind of wall.
• Acrylic glass print (with real glass coating): A glossy acrylic glass print, which is sometimes named as a print on plexiglass, will transform the original work of art into great décor. Your own replica of the work of art will be manufactured with modern UV print machines. This has the image effect of vivid, sharp color tones. Our acrylic glass protects your selected fine art print against light and heat for many years to come.
• The poster print (canvas material): A poster is a UV printed cotton canvas with a granular surface finish. It is perfectly suited for framing your art print with the help of a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the print motif to facilitate the framing with your custom frame.
• Aluminium print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding effect of depth, creating a contemporary look by having a non-reflective surface. A direct Direct Print on Aluminum Dibond is your excellent start to fine prints with aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artpiece on the surface of the white-primed aluminum composite. The print on aluminium is the most popular entry-level product and is a contemporary way to showcase fine art reproductions, as it puts the viewer’s attention on the artwork.

Important legal note: We try what we can in order to depict our art products as closely as possible and to showcase them visually on the respective product detail pages. However, some colors of the print products and the printing might differ to a certain extent from the image on the device's monitor. Depending on your screen settings and the quality of the surface, not all color pigments will be printed one hundret percent realistically. Bearing in mind that all fine art prints are printed and processed manually, there might as well be minor differences in the motif's exact position and the size.

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Structured details of the artpiece

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Additional information by the museum's website (© Copyright - by Art Institute Chicago - Art Institute Chicago)

In July 1890, Claude Monet began four almost identically scaled canvases showing poppy fields near his home in Giverny. Although he did not consider these to be a series, like the 25 paintings of stacks of wheat that he began shortly after the harvest that same summer, the works certainly show his growing interest in developing several canvases at once. They also demonstrate a far more homogeneous touch than the freely brushed landscapes of his earlier career, with surfaces that have a tapestry-like materiality.