Johannes Lingelbach - Charles II (1630-1685) stopping at the Estate of Wema on the Rotte on his Journey from Rotterdam to The Hague, 25 May 1660 - fine art print

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• Canvas: A printed canvas stretched on a wood stretcher frame. A canvas has the unique impression of three dimensionality. A printed canvas of this masterpiece will let you turn your very own fine art print into a large size collection piece like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang your Canvas print without any wall-mounts. Therefore, canvas prints are suited for any type of wall.
• Poster (canvas material): A poster print is a UV printed canvas paper with a nice structure on the surface. It is perfectly qualified for putting the art replica using a special frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
• Aluminium dibond (metal print): Aluminium Dibond prints are metal prints with a true depth - for a modern impression and a non-reflective surface structure. For our Aluminium Dibond option, we print the selected artwork on the surface of the white-primed aluminum.
• Print on glossy acrylic glass (with real glass coating): The acrylic glass print, which is sometimes named as a print on plexiglass, changes the original work of art into lovely décor. The great upside of an acrylic glass print is that contrasts plus minor details will be more recognizeable because of the very subtle gradation of the print.

Legal note: We try everythig possible to describe the products as accurately as possible and to showcase them visually. Although, the pigments of the print products, as well as the print result can vary slightly from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments are printed as realisitcally as the digital version. Since our are printed and processed by hand, there might as well be slight differences in the exact position and the size of the motif.

Supplemental information from Mauritshuis (© - by Mauritshuis - Mauritshuis)

Jonas Witsen, Amsterdam, until 1717; Prince William V, Apeldoorn and The Hague, 1763-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1223), since 1933

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Charles II (1630-1685) stopping at the Estate of Wema on the Rotte on his Journey from Rotterdam to The Hague, 25 May 1660 is a painting painted by Johannes Lingelbach. The original was painted with the dimensions: height: 57,3 cm width: 98,5 cm | height: 22,6 in width: 38,8 in. Oil on canvas was used by the European painter as the medium of the artpiece. "Signed: I. Lingelbach" was the painting's inscription. This piece of art belongs to the digital collection of Mauritshuis. With courtesy of - Mauritshuis, The Hague (public domain). : Jonas Witsen, Amsterdam, until 1717; Prince William V, Apeldoorn and The Hague, 1763-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1223), since 1933. On top of that, alignment is landscape and has a side ratio of 16 : 9, which implies that the length is 78% longer than the width. Johannes Lingelbach was a male painter, whose artistic style can primarily be assigned to Baroque. The Baroque artist lived for 52 years - born in 1622 in Frankfurt am Main, Hessen state, Germany and died in 1674 in Amsterdam, North Holland, Netherlands.

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