Vincent van Gogh, 1887 - Grapes, Lemons, Pears, and Apples - fine art print

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The painting Grapes, Lemons, Pears, and Apples was painted by the male painter Vincent van Gogh in 1887. The more than 130 year old original creation measures the dimensions of 46,5 × 55,2 cm (18 1/4 × 21 3/4 in) and was painted with the technique oil on canvas. What is more, this artpiece is in the the Art Institute Chicago's digital art collection in Chicago, Illinois, United States of America. This modern art artpiece, which belongs to the public domain is being supplied with courtesy of Art Institute Chicago. : Gift of Kate L. Brewster. Further, the alignment of the digital reproduction is in landscape format with an image ratio of 1.2 : 1, which implies that the length is 20% longer than the width. The painter, botanical illustrator, printmaker, drawer Vincent van Gogh was a European artist from the Netherlands, whose artistic style can primarily be classified as Post-Impressionism. The Post-Impressionist artist was born in the year 1853 in Zundert, North Brabant, Netherlands and died at the age of 37 in 1890 in Auvers-sur-Oise, Ile-de-France, France.

Select the product material you would like to have

We offer a range of different materials and sizes for every product. The following sizes and materials are the options we offer you for individualization:

• Canvas: The canvas print is a printed cotton canvas mounted on a wooden frame. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without additional wall-mounts. Hence, a canvas print is suitable for all types of walls.
• Poster on canvas material: The poster print is a UV printed canvas with a fine surface texture, that resembles the actual artwork. It is used for putting your art print with a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing with your custom frame.
• Printed acrylic glass (with real glass coating on top): A glossy acrylic glass print, often labelled as a UV print on plexiglass, changes the original into marvellous décor. Your artwork is made with the help of modern UV print technology. This creates the effect of stunning, rich color tones.
• Aluminium dibond (metal print): This is a metal print manufactured on alu dibond with an impressive effect of depth. For your Direct Print On Aluminum Dibond, we print the artwork onto the aluminium composite surface. The bright sections of the artwork shimmer with a silky gloss, however without any glow. Colors are bright and vivid, fine details appear very clear, and you can truly feel a matte appearance of the art print surface.

Legal disclaimer: We try in order to describe the products as accurate as we can and to demonstrate them visually on the respective product detail pages. Although, the colors of the printing material and the imprint may differ somehwat from the presentation on your screen. Depending on the settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version. Bearing in mind that our art reproductions are printed and processed by hand, there might as well be slight deviations in the motif's exact position and the size.

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Artpiece information

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Supplemental information from the museum (© - by Art Institute Chicago - Art Institute Chicago)

This is one of a group of related canvases featuring seasonal fruit that Vincent van Gogh painted in the fall of 1887. In these works, he simplified his palette, employed more vibrant colors, and used a thicker, broader paint application than he had earlier. Here he explored the use of complementary colors—yellow and purple, blue and orange, and red and green—in the service of chromatic intensity. The effect of these color contrasts is heightened by the pulsating pattern of brushstrokes that defines the tablecloth and creates a force field around the fruit. The painting was probably among the “violent still lifes”—to quote Van Gogh’s friend the painter Emile Bernard—that he included in the group exhibition of young avant-garde artists that he organized at a local restaurant in November–December 1887.