John Frederick Kensett, 1854 - An October Day in the White Mountains - fine art print

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This work of art An October Day in the White Mountains was painted by the American painter John Frederick Kensett. The 160 year old artpiece has the following size: Framed: 107,6 x 152,1 x 12,7 cm (42 3/8 x 59 7/8 x 5 in); Unframed: 79,8 x 123,5 cm (31 7/16 x 48 5/8 in). Oil on canvas was used by the American painter as the technique for the masterpiece. Signed lower right: "JF.K. 54 [JF in monogram]" was the artwork's inscription. This artpiece is included in the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. This modern art artpiece, which is part of the public domain is being supplied with courtesy of The Cleveland Museum of Art. Creditline of the artwork: John L. Severance Fund and various donors by exchange. In addition to this, the alignment of the digital reproduction is in landscape format and has a side ratio of 3 : 2, which implies that the length is 50% longer than the width. The painter John Frederick Kensett was a North American artist, whose style can be attributed mainly to Romanticism. The North American painter lived for 56 years and was born in 1816 in Cheshire, New Haven county, Connecticut, United States and deceased in the year 1872.

Original information about the work of art by the museum's website (© - The Cleveland Museum of Art - www.clevelandart.org)

Trained as an engraver, Kensett shifted to landscape paintings as a young man. In the summer of 1850, when he was 39, Kensett toured the White Mountains in New Hampshire and sketched this view of Mount Chocurua with the Saco River winding beneath it. Shortly afterward, he created this painting of the scene, which he exhibited at the National Academy of Design in 1855. Unlike earlier American landscapists, such as Thomas Cole, who reveled in stormy skies and rocky chasms, Kensett's paintings, such as this one, tend to be peaceful in feeling. Kensett was particularly interested in the subtle changes of color and clarity that occur as objects recede into the distance, an effect known as "atmospheric perspective."

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• The poster print (canvas material): A poster print is a UV printed flat canvas with a slight texture on the surface. It is ideally qualified for putting your art print in a customized frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the work of art, which facilitates the framing.
• Aluminium dibond print: An Aluminium Dibond print is a print with an outstanding depth effect. A direct Aluminium Dibond Print is the ideal start to fine reproductions on aluminum. Colors are luminous and bright in the highest definition, the fine details of the print appear very clear.
• Canvas: The printed canvas, which shall not be confused with an artwork painted on a canvas, is a digital image printed directly on canvas. A canvas makes the distinctive look of three dimensionality. Also, a canvas print creates a cosy and pleasant effect. A printed canvas of your favorite masterpiece will provide you with the unique opportunity of transforming your art print into a large size artwork like you would see in a gallery. How do I hang a canvas on my wall? Canvas prints are relatively low in weight. That means, it is easy to hang your Canvas print without the support of extra wall-mounts. Canvas prints are suitable for all types of walls.
• Acrylic glass print (with real glass coating on top): The print on acrylic glass, which is sometimes named as a print on plexiglass, will transform your selected artwork into wall decoration. In addition, the acrylic art print offers a good alternative to canvas or aluminium dibond prints. With an acrylic glass fine art print contrasts plus smaller image details become more visible due to the precise tonal gradation of the picture.

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Disclaimer: We try everything to describe the products as precisely as possible and to demonstrate them visually. Still, the pigments of the printed materials, as well as the imprint may diverge slightly from the representation on your monitor. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. In view of the fact that all fine art prints are processed and printed manually, there may also be slight discrepancies in the exact position and the size of the motif.

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