Georges Seurat, 1883 - Final Study forBathers at Asnières - fine art print

Supplemental information by the museum's website (© - Art Institute Chicago - Art Institute Chicago)

Georges Seurat’s monumental Bathers at Asnières (1884), for which this is a preparatory work, is now in the National Gallery, London. A scene of men and boys on the bank of the Seine River in the working-class suburb of Asnières, it differs greatly in mood from the sparkling scenes of riverside leisure painted by Claude Monet and Pierre-Auguste Renoir. Nevertheless, the focus on modernity, use of pure, light pigments, and airy brushwork shows how this young artist furthered the most progressive tendencies of “classic” Impressionism. The same year he exhibited this painting he also began making studies of a site directly across the river for his monumental Sunday on La Grande Jatte.

Details of the art product

The modern art artwork was created by the French artist Georges Seurat in 1883. The 130 year-old work of art had the following following dimensions: 6 1/4 × 9 7/8 in (15,8 × 25,1 cm) and was crafted with the techinque of oil on panel. "Inscribed lower right: Seurat" is the artwork's original inscription. Furthermore, this work of art is in the the collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. We are delighted to reference that this artwork, which is in the public domain is supplied with courtesy of Art Institute Chicago. : Gift of the Adele R. Levy Fund, Inc.. What is more, the alignment is in landscape format and has a side ratio of 3 : 2, meaning that the length is 50% longer than the width. The painter, drawer Georges Seurat was an artist from France, whose art style can be attributed primarily to Pointillism. The European painter was born in 1859 in Paris, Ile-de-France, France and died at the age of 32 in the year 1891 in Paris, Ile-de-France, France.

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• Printed poster (canvas material): The Artprinta poster is a printed canvas with a slightly rough structure on the surface, which reminds the original work of art. It is perfectly suited for putting your art replica using a customized frame. Please note, that depending on the size of the poster print we add a white margin between 2-6 cm round about the painting, which facilitates the framing.
• Canvas print: The canvas print is a printed cotton canvas mounted on a wooden stretcher. A canvas makes the extra look of three dimensionality. Also, a canvas print creates a lively and appealing impression. Canvas prints are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
• Aluminium print (aluminium dibond): An Aluminium Dibond print is a material with an impressive depth, which creates a modern look thanks to a surface , which is non-reflective. The Aluminium Dibond Print is your excellent introduction to the sophisticated world of reproductions manufactured with aluminum. For your Aluminium Dibond option, we print your chosen work of art on the aluminium composite surface. The bright & white parts of the artpiece shine with a silk gloss but without any glare. The colors are vivid and luminous in the highest definition, the details are clear and crisp, and the print has a a matte appearance you can literally feel.
• Printed acrylic glass: An print on acrylic glass, often referred to as a UV print on plexiglass, makes your favorite original into stunning décor. Beyond that, the acrylic glass fine art print offers a viable alternative option to canvas or dibond art prints. The artwork is being manufactured with the help of state-of-the-art UV print machines.

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Important note: We try the best we can to depict the art products as accurately as possible and to display them visually. Nonetheless, the colors of the print materials, as well as the print result may differ somehwat from the presentation on the device's monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed as exactly as the digital version. In view of the fact that all are printed and processed manually, there might as well be minor differences in the exact position and the size of the motif.

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