Paul Cézanne, 1890 - Still Life with Apples and a Pot of Primroses - fine art print

This modern art masterpiece was painted by the French painter Paul Cézanne in 1890. The original version was made with the size: 28 3/4 x 36 3/8 in (73 x 92,4 cm) and was crafted with the technique of oil on canvas. The artpiece is included in the collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Bequest of Sam A. Lewisohn, 1951 (public domain). Creditline of the artwork: Bequest of Sam A. Lewisohn, 1951. Besides, the alignment is in landscape format and has an image ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Paul Cézanne was a European artist from France, whose art style was primarily Impressionism. The Impressionist painter lived for a total of 67 years, born in 1839 and passed away in 1906 in Aix-en-Provence.

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• Canvas print: A UV printed canvas stretched on a wooden frame. In addition to that, a canvas generates a cosy and comfortable atmosphere. A printed canvas of your favorite artpiece will allow you to transform your into a large artwork. Canvas prints are relatively low in weight, meaning that it is easy to hang up your Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suited for any kind of wall.
• Aluminium dibond: This is a metal print made on aluminium dibond with an impressive effect of depth. Its non-reflective surface creates a contemporary impression. The bright and white parts of the original artpiece shimmer with a silk gloss but without the glow. Colors are luminous, the details of the print are clear and crisp. This direct print on Aluminum Dibond is one of the most popular entry-level products and is an extremely contemporary way to display fine art reproductions, as it puts all of the viewer’s attention on the whole artwork.
• Poster print (canvas material): A poster print is a UV printed canvas with a slightly roughened surface texture, that resembles the original work of art. It is optimally used for putting the fine art print with the help of a personal frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm round about the print motif in order to facilitate the framing with your custom frame.
• Print on acrylic glass (with real glass coating): An print on acrylic glass, which is often labelled as a plexiglass print, will turn your favorite artwork into stunning wall décor and is a viable alternative option to dibond and canvas prints. Your artwork is being manufactured with the help of state-of-the-art UV direct printing machines. This creates vivid and deep colors.

Important legal note: We try all that we can in order to depict the products as exact as possible and to demonstrate them visually on the respective product detail pages. Nonetheless, the colors of the print products and the imprint might vary to a certain extent from the presentation on the device's screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed 100% realistically. Because our art prints are printed and processed by hand, there might as well be slight discrepancies in the size and exact position of the motif.

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About the painter

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General specifications from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Cézanne rarely painted flowering plants or fresh-cut bouquets, which were susceptible to wilting under his protracted gaze. He included potted plants only in three still lifes, two views of the conservatory at Jas de Bouffan, his family's estate, and about a dozen exquisite watercolors made over the course of two decades (from about 1878 to 1906). Cézanne seems to have reserved this particular table, with its scalloped apron and distinctive bowed legs, for three of his finest still lifes of the 1890s. This painting was once owned by the ardent gardener Claude Monet.