Charles-Théodore Frère, 1880 - Jerusalem from the Mount of Olives - fine art print

Product information

This piece of art titled Jerusalem from the Mount of Olives was painted by the French painter Charles-Théodore Frère. The beyond 140 years old original had the following size: 29 1/2 x 43 1/2 in (74,9 x 110,5 cm) and was produced with the technique oil on canvas. Besides, this work of art is in the the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (public domain license). : Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. Moreover, alignment is landscape with a side ratio of 3 : 2, which implies that the length is 50% longer than the width.

Selectable product materials

The product dropdown menu provides you with the chance to select the material and size of your choice. You can choose among the following product customization options:

• The canvas print: A printed canvas applied on a wooden frame. A canvas generates a plastic effect of three dimensionality. Besides, printed canvas generates a lively and pleasant appearance. Your canvas of your favorite artwork will let you turn your individual fine art print into a large size artpiece like you would see in a real gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Canvas prints are suited for all types of walls.
• The acrylic glass print (with real glass coating): The acrylic glass print, which is often described as a plexiglass print, will convert your favorite original work of art into wonderful décor and makes a distinct alternative to aluminium and canvas prints. The artwork is manufactured with the help of state-of-the-art UV direct printing machines. This creates the image effect of deep, rich colors. With an acrylic glass art print contrasts and also color details will be identifiable because of the fine tonal gradation.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect, which makes a contemporary impression thanks to a surface structure, which is non-reflective. For our Direct Aluminium Dibond print, we print the chosen work of art onto the aluminium composite surface. The white & bright components of the artpiece shimmer with a silky gloss but without the glow. The UV print on aluminium is the most popular entry-level product and is a modern way to showcase art, because it puts the viewer’s attention on the whole artwork.
• The poster print on canvas material: The poster print is a UV printed sheet of cotton canvas paper with a nice structure on the surface, which resembles the original version of the masterpiece. It is ideally appropriate for placing your art print with the help of a custom frame. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6 cm round about the print motif to facilitate the framing with a custom frame.

Important note: We try our utmost in order to describe our products as accurate as possible and to illustrate them visually. Nonetheless, the tone of the print products, as well as the printing might differ marginally from the presentation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as realistically as the digital version on this website. Given that our art reproductions are printed and processed manually, there may also be slight deviations in the motif's size and exact position.

Structured product information

Structured details of the artpiece

Contextual artist data

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Additional information from the museum's website (© - by The Metropolitan Museum of Art - www.metmuseum.org)

This panoramic view was commissioned from Frère by the New York collector Catharine Lorillard Wolfe by 1880, when it was first described as being in her possession. Because the artist had not been to the Holy Land for twenty years—he had last traveled there as part of Empress Eugénie’s retinue in 1861—the composition must be based on one or more earlier studies or photographs.