Carl Larsson, 1884 - The Vine - fine art print

In 1884 Carl Larsson painted the 19th century painting titled The Vine. The over 130 years old original has the size: Height: 60 cm (23,6 ″); Width: 92 cm (36,2 ″) Framed: Height: 103 cm (40,5 ″); Width: 218 cm (85,8 ″); Depth: 13 cm (5,1 ″). It is included in the digital collection of Nationalmuseum Stockholm. This work of art, which is part of the public domain is being supplied with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.Creditline of the artwork: . What is more, the alignment is landscape with a ratio of 3 : 2, meaning that the length is 50% longer than the width.

Choose your favorite material

For every art print we offer different sizes & materials. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Glossy acrylic glass print: The acrylic glass print, which is often named as a fine art print on plexiglass, will change your favorite original artwork into beautiful décor. The great benefit of a plexiglass fine art copy is that contrasts as well as image details will be visible with the help of the delicate gradation in the picture.
• The poster print (canvas material): A poster print is a UV printed canvas with a nice surface structure. It is suited for framing your art print in a custom frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of around 2 - 6cm around the artwork in order to facilitate the framing with a custom frame.
• Metal print (aluminium dibond): An Aluminium Dibond print is a print with a true depth, which creates a contemporary impression throuch a non-reflective surface structure. The Direct Print on Aluminum Dibond is the best introduction to fine art reproductions produced on aluminum. The bright and white parts of the artpiece shimmer with a silk gloss, however without the glare. The colors are vivid and luminous, the fine details of the print are crisp, and you can really perceive the matte appearance of the print.
• The canvas print: The UV printed canvas mounted on a wooden stretcher frame. Also, a canvas print makes a cosy and enjoyable appearance. A canvas print of this artpiece will allow you to transform your fine art print into a large size artwork as you would see in a gallery. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for any kind of wall.

Legal disclaimer: We try everythig possible in order to describe our art products in as much detail as possible and to illustrate them visually on the different product detail pages. Although, the pigments of the printing material and the imprint may vary somehwat from the image on your screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as realisitcally as the digital version depicted here. Considering that all the art prints are printed and processed by hand, there may also be slight differences in the motif's size and exact position.

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What does the Nationalmuseum Stockholm say about the 19th century work of art made by Carl Larsson? (© Copyright - Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: The Vine can be interpreted as a light-hearted allegory of love – the woman harvests the grapes for the wine that intoxicates the man. With his great technical virtuosity, Carl Larsson was excellently equipped to succeed in the Neo-Rococo genre, which relied to a great extent on the ability to paint with illusory brilliance. The Vine was bought by Herman Friedländer when it was shown at the Opponent Exhibition Vid Seinens strand (On the Seine River Bank) in Stockholm in 1885. Friedländer later lent it to the World’s Fair in Paris in 1889. Vinet kan tolkas som en lättsam kärleksallegori – kvinnan skördar druvorna som blir till vinet mannen berusar sig på. Med sin stora tekniska skicklighet hade Carl Larsson utmärkta förutsättningar att lyckas i nyrokokogenren som i mycket byggde på förmågan att måla med illusorisk briljans. Vinet köptes av Herman Friedländer när den visades på Opponentutställningen Vid Seinens strand i Stockholm 1885. Friedländer lånade senare ut den till Världsutställningen i Paris 1889.