Claude Monet, 1885 - Boats on the Beach at Étretat - fine art print

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Background information on the art product

This 19th century artwork titled Boats on the Beach at Étretat was made by Claude Monet. The original had the size: 66 × 82,3 cm (26 × 32 7/16 in). Oil on canvas was applied by the European artist as the technique for the piece of art. The original artwork is inscribed with the following details: inscribed lower right: Claude Monet. Moveover, this artpiece can be viewed in in the collection of Art Institute Chicago. With courtesy of Art Institute Chicago (licensed - public domain). The creditline of the artpiece is the following: Charles H. and Mary F. S. Worcester Collection. Besides, the alignment of the digital reproduction is landscape and has a ratio of 4 : 3, which means that the length is 33% longer than the width. The painter Claude Monet was an artist from France, whose artistic style can primarily be assigned to Impressionism. The painter lived for 86 years, born in 1840 in Paris, Ile-de-France, France and died in the year 1926.

Select the material of your choice

We offer a range of various materials and sizes for every product. Pick your favorite size and material among the following options:

  • Canvas: The canvas direct print is a printed canvas mounted on a wooden frame. A canvas makes the sculptural effect of three-dimensionality. A canvas print of your favorite masterpiece will give you the chance to transform your custom fine art print into a large size work of art like you know from art galleries. Canvas prints are relatively low in weight. This means, it is quite simple to hang up your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls in your home.
  • Acrylic glass print: A glossy print on acrylic glass, often described as a an art print on plexiglass, transforms the artwork into gorgeous home décor.
  • Poster (canvas material): The poster print is a printed flat canvas with a slight surface finish. Please note, that depending on the absolute size of the poster we add a white margin of approximately 2-6 cm around the work of art in order to facilitate the framing with a custom frame.
  • Aluminium dibond: These are metal prints on aluminium dibond with an outstanding depth effect. For your Direct Print On Aluminum Dibond, we print the selected artwork right onto the aluminium composite white-primed surface. The white and bright parts of the work of art shine with a silk gloss but without the glare. The colors are luminous and bright in the highest definition, fine details appear crisp and clear, and the print has a a matte look you can literally feel.

Important note: We try the best we can to depict our art products as closely as possible and to exhibit them visually. However, the pigments of the printed materials, as well as the print result may differ marginally from the presentation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all colors will be printed as realisitcally as the digital version on this website. Considering that our fine art prints are processed and printed by hand, there might as well be minor discrepancies in the size and exact position of the motif.

Product information

Article classification: art reproduction
Method of reproduction: reproduction in digital format
Production method: UV print / digital printing
Origin of the product: German-made
Stock type: production on demand
Product use: art print gallery, art reproduction gallery
Artwork orientation: landscape format
Image aspect ratio: 4 : 3 (length : width)
Image aspect ratio meaning: the length is 33% longer than the width
Available choices: metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating), poster print (canvas paper)
Canvas print (canvas on stretcher frame) options: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Acrylic glass print (with real glass coating) size variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Poster print (canvas paper) size variants: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Dibond print (alumnium material) sizes: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Frame: please bear in mind that this reproduction is not framed

Structured table of the artwork

Name of the artpiece: "Boats on the Beach at Étretat"
Classification of the artpiece: painting
Generic term: modern art
Temporal classification: 19th century
Created in the year: 1885
Artwork age: over 130 years
Original medium: oil on canvas
Original size (artwork): 66 × 82,3 cm (26 × 32 7/16 in)
Signature: inscribed lower right: Claude Monet
Museum: Art Institute Chicago
Museum location: Chicago, Illinois, United States of America
Website of the museum: Art Institute Chicago
License type of artwork: public domain
Courtesy of: Art Institute Chicago
Artwork creditline: Charles H. and Mary F. S. Worcester Collection

Artist information

Name of the artist: Claude Monet
Other artist names: מונה קלוד, monet claude, monet c., Monet Claude Oscar, Claude Oscar Monet, Monet Oscar Claude, Claude Monet, C. Monet, Monet Claude Jean, Mone Klod, Monet, Cl. Monet, Monet Claude, Monet Oscar-Claude, Monet Claude-Oscar
Gender: male
Artist nationality: French
Jobs of the artist: painter
Home country: France
Classification of the artist: modern artist
Styles of the artist: Impressionism
Lifetime: 86 years
Born in the year: 1840
Born in (place): Paris, Ile-de-France, France
Year of death: 1926
Deceased in (place): Giverny, Normandie, France

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Additional information from the museum's website (© Copyright - Art Institute Chicago - Art Institute Chicago)

By the mid-1880s, Claude Monet had distanced himself from the modern city, seeking landscape subjects in various parts of France instead. The Norman town of Étretat was famous for its cliffs, rock formations, and fashionable summer homes, but Boats on the Beach at Étretat shows none of these familiar sights. Forced indoors by inclement weather, Monet painted this narrow view of the beach from his room in the Hôtel Blanquet, where he stayed from mid-October to mid-December 1885. In a letter to his future wife, he noted that he had spent the afternoon “painting the caloges [disused fishing boats covered with tarred planks and used for storage] in the rain.”

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