Nicolas de Largillierre, 1702 - Portrait of two lay depending in 1702: Hugues Desnotz, right, and an unknown, assumed Boutet, left (fragment) - fine art print

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Additional information from the museum (© - by Musée Carnavalet Paris - www.carnavalet.paris.fr)

Desnotz Hughes, right, and an unknown, supposed Boutet left. half-length portrait in red coat and black members of the Paris municipality.

The portrait of two aldermen based in 1702, is a fragment of collective portrait of the Office of the City which included the provost Boucher d'Orsay, the four aldermen Santeul, Guillebon, Boutet and Desnotz, the Public Prosecutor, the Registrar and recipient, accompanied by Justice and Abundance. In the background included a tapestry depicting the arrival of the Duke of Anjou to the Spanish crown with allegories appropriate to the subject.

Structured details of the piece of art

Artwork title: "Portrait of two lay depending in 1702: Hugues Desnotz, right, and an unknown, assumed Boutet, left (fragment)"
Artwork classification: painting
Category: classic art
Temporal classification: 18th century
Created in: 1702
Age of artwork: more than 310 years old
Size of the original artpiece: Height: 119,5 cm, Width: 152,5 cm
Museum / location: Musée Carnavalet Paris
Location of museum: Paris, France
Museum website: Musée Carnavalet Paris
License type of artwork: public domain
Courtesy of: Musée Carnavalet Paris

About the painter

Name: Nicolas de Largillierre
Nationality of artist: French
Professions of the artist: painter
Country: France
Artist classification: old master
Art styles: Baroque
Lifetime: 90 years
Year of birth: 1656
Died: 1746

Structured product details

Print prodct: art reproduction
Reproduction: digital reproduction
Production technique: UV direct printing
Product Origin: produced in Germany
Stock type: on demand production
Intended usage: wall picture, wall gallery
Orientation: landscape alignment
Image ratio: length to width 1.2 : 1
Interpretation: the length is 20% longer than the width
Available material variants: metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating), poster print (canvas paper)
Canvas on stretcher frame (canvas print) variants: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) size variants: 60x50cm - 24x20", 120x100cm - 47x39"
Poster print (canvas paper) size variants: 60x50cm - 24x20", 120x100cm - 47x39"
Aluminium dibond print size options: 60x50cm - 24x20", 120x100cm - 47x39"
Frame: no frame

Product materials you can pick

The product dropdown menu ofers you the opportunity to select your favorite size and material. We allow yout to choose among the following variants:

  • Canvas print: The canvas print, not to be mistaken with a real artwork painted on a canvas, is an image printed on an industrial printer. Furthermore, a canvas print creates a homelike and comfortable look. How do I hang a canvas print on the wall? Canvas Prints have the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for any type of wall.
  • Printed poster (canvas material): The poster print is a printed canvas with a slightly rough surface finish, that resembles the actual masterpiece. The poster is used for placing the art print with the help of a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
  • Aluminium dibond (metal print): This is a metal print manufactured on aluminium dibond material with an impressive depth. The non-reflective surface make a fashionable impression. A direct Aluminium Dibond Print is the ideal introduction to fine reproductions made on aluminum. For your Direct Aluminium Dibond print, we print your favorite work of art right on the aluminium white-primed surface. The bright parts of the original artwork shine with a silk gloss, however without the glow. The colors of the print are luminous in the highest definition, details of the print appear clear and crisp. The direct UV print on aluminium is one of the most popular entry-level products and is a modern way to showcase fine art prints, since it puts the viewer’s attention on the artwork.
  • Acrylic glass print: A glossy print on acrylic glass, which is often named as a UV print on plexiglass, changes the original into wonderful wall decoration. Your own version of the work of art will be custom-made with the help of modern UV printing machines. The effect of this are deep and vivid colors.

Background information on the product

This more than 310 years old artpiece was made by the baroque master Nicolas de Largillierre in 1702. The original had the size: Height: 119,5 cm, Width: 152,5 cm. Besides, this artpiece belongs to the digital collection of Musée Carnavalet Paris, which is a museum dedicated to the history of the city Paris. We are happy to mention that the public domain artpiece is included with courtesy of Musée Carnavalet Paris.Additionally, the artwork has the creditline: . Furthermore, alignment is landscape and has a side ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Nicolas de Largillierre was an artist from France, whose style can be classified as Baroque. The Baroque painter was born in the year 1656 and died at the age of 90 in 1746.

Important information: We try all that we can in order to describe the art products as accurately as possible and to showcase them visually in our shop. Please keep in mind that the tone of the printed materials, as well as the printing might differ somehwat from the representation on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors are printed one hundret percent realistically. Given that all our art reproductions are processed and printed manually, there might also be minor discrepancies in the motif's size and exact position.

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