Anders Zorn, 1895 - After the Bath - fine art print

Detailed product description

After the Bath is a work of art by the impressionist artist Anders Zorn in 1895. The original was made with the absolute size - Height: 53,5 cm (21 ″); Width: 36,5 cm (14,3 ″) Framed: Height: 93 cm (36,6 ″); Width: 76 cm (29,9 ″); Depth: 3 cm (1,1 ″). What is more, this piece of art is in the the Nationalmuseum Stockholm's collection, which is Sweden's museum of art and design, a Swedish government authority with a mandatet o preserve cultural heritage and promote art, interest in art and knowledge of art. This modern art artpiece, which belongs to the public domain is being included with courtesy of Nationalmuseum Stockholm & Wikimedia Commons.: . On top of that, alignment is portrait with a ratio of 2 : 3, which implies that the length is 33% shorter than the width. Anders Zorn was a photographer, engraver, painter, sculptor, watercolourist from Sweden, whose art style can mainly be classified as Impressionism. The European painter lived for a total of 60 years - born in the year 1860 in Mora, Dalarna, Sweden and died in 1920.

Select a item material variant

For every art print we offer different sizes & materials. Therefore, we allow you to choose among the following options:

• Canvas print: A canvas print, which should not be mistaken with a real painting on a canvas, is a digital image printed from a UV direct printing machine. A canvas makes the typical impression of three dimensionality. Besides, canvas print produces a lively, comfortable look. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without any wall-mounts. A canvas print is suited for any type of wall.
• Printed acrylic glass: An acrylic glass print, often referred to as a plexiglass print, will convert your selected original work of art into stunning home décor. The artwork is printed with state-of-the-art UV direct printing machines. This has the effect of vibrant, deep colors. The real glass coating protects your selected art print against light and heat for up to 6 decades.
• Aluminium dibond print: An Aluminium Dibond print is a material with a true depth effect. The non-reflective surface structure make a contemporary impression. The bright & white components of the work of art shimmer with a silk gloss but without the glare. Colors are luminous in the highest definition, the details are crisp.
• The poster print on canvas material: The Artprinta poster is a printed flat canvas paper with a slightly rough structure on the surface. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print motif, which facilitates the framing with your custom frame.

Important information: We try our utmost in order to depict the art products with as many details as possible and to illustrate them visually on the product detail pages. Although, the pigments of the print materials and the printing can differ somehwat from the image on the device's monitor. Depending on the settings of your screen and the condition of the surface, color pigments may not be printed 100% realistically. Given that all are printed and processed manually, there may also be slight discrepancies in the size and exact position of the motif.

The product

Details on the artwork

Artist overview table

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Additional specifications as provided from Nationalmuseum Stockholm (© Copyright - Nationalmuseum Stockholm - Nationalmuseum Stockholm)

English: Anders Zorn has come to be associated with paintings of nude young women bathing. In his early paintings on this theme, such as After the Bath from 1895, the women seem unaware of the spectator. They are not posing, but are simply captured on canvas while undressing or concentrating on getting out of the water. This spontaneous character is naturally false, and the nudity is a vital element in the painting. Nevertheless, these paintings are not primarily erotic; instead, the emphasis is on the effect of light. The nude body is hazy, to serve as a sculptural shape in the play of light and shadow in the overall composition. Anders Zorn har kommit att bli förknippad med badande nakna unga kvinnor. I hans tidigare målningar med sådana motiv, som Efter badet från 1895, framstår kvinnorna som ovetande om betraktarens närvaro. De förefaller inte posera, utan fångade på duken i färd med att byta om eller koncentrerat ta sig upp ur vattnet. Denna icke-arrangerade karaktär är naturligtvis skenbar och nakenheten ett av bildens bärande element. Men man kan nog trots detta säga att målningarna inte i första hand är erotiska stycken utan att framställningens tyngdpunkt ligger på ljusets verkan. Den nakna kroppen är oskarp för att plastiskt fungera som en del av helhetens ljus- och skuggspel.