Alfred Sisley, 1875 - The Seine at Port-Marly, Piles of Sand - fine art print

Supplemental information by the museum's website (© Copyright - Art Institute Chicago - Art Institute Chicago)

Of all the landscapes Alfred Sisley painted in and around Marly-le-Roi, where he lived from 1875 to 1878, this scene of workers dredging sand to facilitate barge traffic is perhaps the most original. Generally, the Impressionists showed the Seine River as a place of weekend leisure for Parisians, painting activities such as boating, yachting, promenading, and dining. Sisley depicted the river during the workweek, along with some of the men who depended on it for their livelihood.

"The Seine at Port-Marly, Piles of Sand" as your art replica

The modern art work of art with the title The Seine at Port-Marly, Piles of Sand was created by the male artist Alfred Sisley. The 140 year old version of the piece of art measures the size: 21 7/16 × 29 in (54,5 × 73,7 cm). Oil on canvas was used by the British painter as the technique for the piece of art. The original artwork was inscribed with the following information: "inscribed lower left: Sisley. 75". It can be viewed in in the collection of Art Institute Chicago. With courtesy of: Art Institute Chicago (licensed: public domain). Moreover, the artwork has the following creditline: Mr. and Mrs. Martin A. Ryerson Collection. In addition to that, the alignment of the digital reproduction is landscape and has a side ratio of 1.4 : 1, which implies that the length is 40% longer than the width. Alfred Sisley was a male painter, etcher, lithographer from the United Kingdom, whose art style can mainly be classified as Impressionism. The British painter was born in the year 1839 in Paris, Ile-de-France, France and passed away at the age of 60 in the year 1899 in Moret-sur-Loing, Ile-de-France, France.

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• Aluminium dibond print: An Aluminium Dibond print is a print with a true depth effect. Its non-reflective surface creates a modern impression. A direct Aluminium Dibond Print is the excellent introduction to art replicas on aluminum. For the Aluminium Dibond print, we print the favorite work of art onto the surface of the white-primed aluminum. The bright & white components of the artwork shimmer with a silky gloss but without the glow. The colors are luminous and bright in the highest definition, the fine details of the print are very clear, and the print has a a matte appearance you can literally feel. The UV print on Aluminum Dibond is one of the most popular entry-level products and is a contemporary way to display art reproductions, because it draws attention on the artwork.
• The canvas print: A canvas print is a printed cotton canvas mounted on a wood frame. A canvas creates the plastic impression of three dimensionality. A printed canvas of your favorite masterpiece will allow you to transform your fine art print into a large artpiece as you know from galleries. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without any wall-mounts. A canvas print is suitable for any kind of wall.
• The poster print (canvas material): Our poster print is a UV printed canvas with a fine structure on the surface, that reminds the original work of art. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing.
• Printed acrylic glass: The acrylic glass print, often denoted as a print on plexiglass, will convert your favorite original artwork into brilliant décor. Further, it forms a good alternative to canvas or dibond fine art prints. The artwork is custom-made with the help of state-of-the-art UV print machines. This has the impression of impressive, rich colors.

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Important legal note: We try everythig possible in order to describe the art products as accurate as possible and to exhibit them visually. Nevertheless, the pigments of the printing material and the imprint might vary marginally from the presentation on your screen. Depending on your settings of your screen and the nature of the surface, not all color pigments are printed as exactly as the digital version. Since all are printed and processed by hand, there might as well be slight differences in the motif's size and exact position.

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