Claude Monet, 1900 - Waterloo Bridge, Gray Weather - fine art print

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For every product we offer a range of different sizes and materials. You can choose among the following product customization options:

• Aluminium dibond print: An Aluminium Dibond print is a material with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is the best introduction to art replicas on aluminum. The bright & white parts of the work of art shimmer with a silk gloss but without glow. The colors are bright and vivid in the highest definition, the details of the print are crisp.
• Acrylic glass print: The acrylic glass print, often named a plexiglass print, makes your favorite original into lovely décor. In addition, the acrylic glass art print makes a good alternative to canvas and dibond fine art replicas. With a glossy acrylic glass fine art print sharp contrasts and image details become more identifiable due to the very subtle tonal gradation in the print.
• Poster on canvas material: A poster print is a UV printed sheet of canvas with a fine finish on the surface. It is ideally appropriate for framing your art print with a custom-made frame. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the print motif, which facilitates the framing with your custom frame.
• The canvas print: The UV printed canvas mounted on a wood frame. Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without the use of any wall-mounts. That is why, canvas prints are suited for any type of wall.

Legal disclaimer: We try our best in order to describe our art products with as many details as possible and to demonstrate them visually on the various product detail pages. Still, the tone of the print materials, as well as the print result can diverge to a certain extent from the image on your monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Since our fine art prints are printed and processed manually, there might also be minor deviations in the motif's size and exact position.

General description by Art Institute Chicago (© - Art Institute Chicago - Art Institute Chicago)

If not for the fog, Claude Monet once remarked, “London wouldn’t be a beautiful city. It’s the fog that gives it its magnificent breadth.” While working on his London series, he rose early every day to paint Waterloo Bridge in the morning, moving on to Charing Cross Bridge at midday and in the afternoon. He observed both motifs from his fifth-floor window at the Savoy Hotel. The Art Institute’s two Waterloo Bridge paintings are dated 1900 and 1903, but both were likely begun in 1900 and dated only when Monet felt that they were finished. He worked on all of his London paintings in his studio in Giverny, refusing to send any of them to his dealer until he was satisfied with them as an ensemble.

In 1900 Claude Monet created this artwork. The piece of art had the following size 65,4 × 92,6 cm (25 3/4 × 36 3/8 in) and was painted with oil on canvas. The painting has the following inscription: signed, l.l.: "Claude Monet". The work of art belongs to the Art Institute Chicago's collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. This public domain masterpiece is included with courtesy of Art Institute Chicago. The creditline of the artwork is the following: Gift of Mrs. Mortimer B. Harris. In addition to this, the alignment is in landscape format and has a ratio of 1.4 : 1, which implies that the length is 40% longer than the width. The painter Claude Monet was an artist from France, whose artistic style can be classified as Impressionism. The European artist was born in the year 1840 in Paris, Ile-de-France, France and deceased at the age of 86 in 1926.

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