Lorenzo Lotto, 1547 - Brother Gregorio Belo of Vicenza - fine art print
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Artwork depiction from The Metropolitan Museum of Art website (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Emulating Saint Jerome (347–420 AD), the founder of the religious order to which he belonged, Fra Gregorio had himself portrayed beating his breast in penance. He looks at the viewer but, inspired by the book he holds, his meditations are on the Crucifixion, which Lorenzo Lotto shows in the background. In these ways, the picture depicts a mental state, moving beyond the notion of portraiture as a mere record of appearance. In this endeavor, Lotto was keenly attuned to the psychologically probing portraits of Albrecht Dürer, who made two trips to Venice.
Summarization of the print product
Brother Gregorio Belo of Vicenza was by Lorenzo Lotto. The more than 470 year old original had the exact dimensions of 34 3/8 x 28 in (87,3 x 71,1 cm) and was painted with the medium oil on canvas. This work of art belongs to the art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, Rogers Fund, 1965 (licensed - public domain). : Rogers Fund, 1965. Besides, the alignment of the digital reproduction is in portrait format and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. The painter Lorenzo Lotto was a European artist from Italy, whose art style can be classified as High Renaissance. The artist was born in 1475 in Venice, Venezia province, Veneto, Italy and deceased at the age of 81 in the year 1556.
Select the product material you would like to have
In the product dropdown selection you can select your prefered material and size. You can choose your your favorite size and material among the following options:
- The acrylic glass print (with real glass coating): The print on acrylic glass, often referred to as a UV print on plexiglass, will convert the original into magnificient wall decoration. Your favorite artwork will be manufactured thanks to the help of state-of-the-art UV direct print technology.
- The poster print (canvas material): A poster is a printed sheet of canvas with a granular surface finish. It is ideally qualified for framing the art replica with the help of a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin 2-6cm round about the painting in order to facilitate the framing.
- Aluminium dibond print: This is a metal print manufactured on aluminium dibond material with an impressive depth - for a modern impression and a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your perfect start to the sophisticated world of art prints on aluminum. Colors are luminous in the highest definition, the details of the print are crisp, and you can really perceive a matte appearance of the product.
- Canvas print: A printed canvas material applied on a wooden stretcher frame. How can I hang a canvas on the wall? Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without extra wall-mounts. Canvas prints are suitable for any type of wall.
Artist information table
| Artist: | Lorenzo Lotto |
| Aliases: | Lorenzo Lot Diszipulo de Corezo, Lotto Lorenzo, Lorenzo Lotto, Lotto, Laurent Lotto, Loti, Lotto Laurentio, Lazzaro Lotti, Lorenzo Lotti, Lorenzo Lot, L. Lotto, Laurentius Lottus, lorenzo loto, Lotto Lorenzo, Laurenso Lotto, Laurentius Lotus, Lorenzo Lotto da Bergamo, L. Lotti |
| Gender of the artist: | male |
| Nationality: | Italian |
| Jobs: | painter |
| Country of origin: | Italy |
| Classification: | old master |
| Styles: | High Renaissance |
| Died aged: | 81 years |
| Born: | 1475 |
| Hometown: | Venice, Venezia province, Veneto, Italy |
| Died: | 1556 |
| Died in (place): | Loreto, Ancona province, Marches, Italy |
Background data about the original artpiece
| Work of art name: | "Brother Gregorio Belo of Vicenza" |
| Artwork classification: | painting |
| Category: | classic art |
| Artwork century: | 16th century |
| Created in the year: | 1547 |
| Approximate age of artwork: | around 470 years old |
| Artwork original medium: | oil on canvas |
| Original artwork size: | 34 3/8 x 28 in (87,3 x 71,1 cm) |
| Museum: | The Metropolitan Museum of Art |
| Museum location: | New York City, New York, United States of America |
| Museum's webpage: | The Metropolitan Museum of Art |
| License: | public domain |
| Courtesy of: | The Metropolitan Museum of Art, New York, Rogers Fund, 1965 |
| Creditline: | Rogers Fund, 1965 |
About this item
| Article categorization: | art reproduction |
| Reproduction method: | digital reproduction |
| Manufacturing process: | UV direct print (digital printing) |
| Origin of the product: | made in Germany |
| Type of stock: | on demand production |
| Intended product use: | wall decoration, art reproduction gallery |
| Orientation of the artwork: | portrait format |
| Image ratio: | length : width - 1 : 1.2 |
| Meaning of aspect ratio: | the length is 20% shorter than the width |
| Available product fabrics: | canvas print, acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond) |
| Canvas print (canvas on stretcher frame) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Acrylic glass print (with real glass coating) sizes: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Poster print (canvas paper) options: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium dibond print variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Frame: | no frame |
Legal disclaimer: We try all that we can in order to depict the products as closely as possible and to showcase them visually. Although, the pigments of the printing material, as well as the print result can diverge to a certain extent from the representation on the screen. Depending on your screen settings and the nature of the surface, not all colors are printed as exactly as the digital version shown here. Since all the fine art prints are printed and processed by hand, there may also be minor differences in the exact position and the size of the motif.
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