Jan Steen, 1675 - ‘A Pig Belongs in the Sty’ - fine art print

(© Copyright - Mauritshuis - Mauritshuis)

Gerardus Vogel sale, Rotterdam, 3 July 1755 (Lugt 887), no. 30; possibly Pieter Foucquet sale, London, 10-11 February 1773 (Lugt 2115), second day, no. 33; Henry Doetsch sale, London, 22 June 1895 (Lugt 53661), no. 428 (for 52 guineas to J. Murray for Bredius); Abraham Bredius, The Hague, 1895-1946 (on loan to the Mauritshuis, since 1911); bequest of Abraham Bredius, 1946

Print product summary

The classic art artpiece was made by the baroque painter Jan Steen. The over 340 year-old original measures the size: height: 85,8 cm width: 72,1 cm | height: 33,8 in width: 28,4 in and was painted on the medium oil on canvas. The masterpiece has the following text as inscrption: "signed: JSteen". This piece of art belongs to the Mauritshuis's digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The classic art public domain artwork is being supplied with courtesy of Mauritshuis, The Hague. Moreover, the work of art has the following creditline: Gerardus Vogel sale, Rotterdam, 3 July 1755 (Lugt 887), no. 30; possibly Pieter Foucquet sale, London, 10-11 February 1773 (Lugt 2115), second day, no. 33; Henry Doetsch sale, London, 22 June 1895 (Lugt 53661), no. 428 (for 52 guineas to J. Murray for Bredius); Abraham Bredius, The Hague, 1895-1946 (on loan to the Mauritshuis, since 1911); bequest of Abraham Bredius, 1946. On top of that, alignment is portrait and has an image ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. The painter Jan Steen was a European artist, whose artistic style can be attributed primarily to Baroque. The Baroque artist was born in 1626 in Alkmaar, North Holland, Netherlands and passed away at the age of 53 in 1679.

Materials you can choose

In the dropdown selection right next to the product offering you can pick your individual size and material. You can choose among the following product customization options:

• Poster print on canvas material: Our poster print is a printed cotton canvas with a slightly rough surface structure. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2 - 6cm round about the print, which facilitates the framing with your custom frame.
• Aluminium dibond: These are metal prints on aluminium dibond with a true effect of depth. The non-reflective surface structure creates a contemporary impression. The Direct Print on Aluminum Dibond is the perfect introduction to fine art replicas produced on aluminum. The colors of the print are luminous, the details of the print are crisp and clear, and you can feel a matte appearance of the fine art print. The print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to display art reproductions, as it puts 100% of the viewer’s attention on the whole artwork.
• Canvas: The canvas print, not to be confused with a painting on a canvas, is a digital image applied on a cotton canvas material. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for any kind of wall.
• The acrylic glass print: A glossy acrylic glass print, often referenced as a print on plexiglass, will convert the original artwork into lovely décor and makes a viable alternative option to aluminium or canvas art prints. The great advantage of a plexiglass fine art copy is that contrasts and also minor image details become more exposed because of the delicate tonal gradation.

Artist details

Details on the original artwork

Structured article details

Important legal note: We try what we can in order to depict the products as closely as possible and to illustrate them visually on the different product detail pages. Nevertheless, the tone of the printed materials, as well as the imprint can vary marginally from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed 100% realistically. Given that our art reproductions are printed and processed manually, there might also be slight differences in the motif's size and exact position.

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