Jan Asselijn, 1650 - Muleteers beside an Italian Ruin - fine art print

The artwork with the title "Muleteers beside an Italian Ruin" as art replica

Muleteers beside an Italian Ruin was painted by Jan Asselijn. The artwork belongs to the Rijksmuseum's digital collection, which is the largest museum for Dutch art and history from the Middle Ages to the present day. With courtesy of Rijksmuseum (public domain).: . In addition to this, the alignment is in landscape format with a side ratio of 1.2 : 1, meaning that the length is 20% longer than the width.

The material options

For every product we offer a range of different sizes and materials. In order match your personal requirements perfectly, you can choose among the following product customization options:

• Canvas: The canvas print is a printed canvas stretched on a wooden frame. In addition to that, a canvas generates a attractive, enjoyable ambience. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the use of extra wall-mounts. Because of thatcanvas prints are suited for all types of walls.
• The acrylic glass print (with real glass coating): An acrylic glass print, which is often labelled as a plexiglass print, will transform your favorite artwork into gorgeous décor. The artwork is made with the help of modern UV direct printing technology. This has the impression of deep and vivid colors.
• Printed poster (canvas material): The poster print is a printed flat canvas with a granular finish on the surface. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm around the work of art, which facilitates the framing with a custom frame.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect. A non-reflective surface creates a contemporary look. A direct Direct Print on Aluminum Dibond is the best introduction to reproductions produced with aluminum. The bright and white components of the original artpiece shimmer with a silk gloss but without the glare.

Important information: We try all that we can to depict our products as clearly as possible and to exhibit them visually. Please keep in mind that the colors of the printed materials, as well as the imprint may vary somehwat from the presentation on the screen. Depending on the screen settings and the condition of the surface, color pigments might not be printed as realistically as the digital version on this website. Because all our art prints are printed and processed manually, there may also be slight differences in the motif's size and exact position.

Product background data

Structured artwork details

Artist table

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Additional description by Rijksmuseum (© - Rijksmuseum - Rijksmuseum)

Asselijn had spent time in Rome, where he recorded his impressions in drawings. Once back in Amsterdam, he painted this view of a huge aqueduct. This monument to the faded glory of ancient Rome now shelters simple country folk and their herds. In the sunlight beneath one arch, a traveller is relieving himself, just like the urinating donkey in the foreground that partially conceals him.