Gerard ter Borch, 1656 - Woman Sewing beside a Cradle - fine art print

Possible product material choices

For every product we offer a range of different sizes and materials. Thus, we allow you to choose among the following options:

• Poster print (canvas material): The poster is a printed canvas paper with a nice surface texture. A poster print is designed for framing your art replica in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm around the artwork in order to facilitate the framing.
• The acrylic glass print (with real glass coating): An print on acrylic glass, which is sometimes labelled as a fine art print on plexiglass, makes the artwork into beautiful home decoration. The plexiglass protects your custom art print against sunlight and external influences for several decades.
• Canvas: The canvas print, not to be mistaken with an artwork painted on a canvas, is a digital image printed from a UV direct printer. Your printed canvas of this artpiece will let you turn your art print into a large size artwork. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang your Canvas print without the use of any wall-mounts. Because of thatcanvas prints are suitable for all types of walls.
• Aluminium dibond print: Aluminium Dibond prints are metal prints with an impressive effect of depth. A direct Aluminium Dibond Print is the perfect introduction to art reproductions with aluminum. The colors are luminous, the fine details are crisp and clear, and the print has a a matte look that you can literally feel.

Important legal note: We try our best to describe the art products as accurate as possible and to illustrate them visually on the various product detail pages. Nevertheless, the pigments of the print materials and the print result may vary slightly from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, colors can unfortunately not be printed 100% realistically. Bearing in mind that all art prints are printed and processed manually, there might also be minor deviations in the motif's exact position and the size.

Additional artwork information by Mauritshuis (© Copyright - by Mauritshuis - Mauritshuis)

Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004

Things you should know about the art print Woman Sewing beside a Cradle

The artwork "Woman Sewing beside a Cradle" was painted by Gerard ter Borch in 1656. The 360 year-old version of the artpiece had the following size: height: 46,5 cm width: 38 cm | height: 18,3 in width: 15 in and was crafted with oil on canvas. This artpiece is part of the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of: Mauritshuis, The Hague (licensed - public domain). Besides, the artwork has the following creditline: Possibly identical with a painting in the sale of Jacob Dissius, Amsterdam, 16 May 1696 (Lugt 162), no. 17 (56 guilders); probably Johan Steyn, Haarlem; his sale, Haarlem, 28 April 1711 (Lugt 229), no. 9 (50 guilders); Joan Hendrik van Heemskerk, The Hague; his widow, the dowager Van Heemskerk, The Hague; her sale, The Hague, 29 March 1770 (Lugt 1818), no. 15 (for 854 guilders to Fouquet); Pieter Fouquet Gallery, Amsterdam, 1770; Pieter de Smeth, Lord of Alphen and Rietveld, Amsterdam; his sale, Amsterdam, 1 August 1810 (Lugt 7842), no. 101 (for 510 guilders to Theodorus Spaan for Croese); Hendrik Croese, Amsterdam; his sale, Amsterdam, 18 September 1811 (Lugt 8065), no. 88 (bought in for 400 guilders through ‘Van der Voort’); part of sale Amsterdam, 20 July 1812 (Lugt 8228), no. 59 (for 405 guilders to Spaan); Theodorus Spaan Gallery, Amsterdam, 1812; Casimir Pierre Périer, Paris; his sale, London, 5 May 1848 (Lugt 19009), no. 16 (bought in for 325 pound and 10 pence through ‘Watson’); his daughter, Comtesse de Ségur, née Périer, Paris; Guiraud & Fils Gallery, Paris, 1924 (for 300,000 francs to Lugt); Frits Lugt Gallery, Maartensdijk, 18 June 1925, inv. no. 2316 (sold that same month to Nienhuys); J.W. Nienhuys, Aerdenhout, 1925; his widow, A.M. Nienhuys-Versteegh, Aerdenhout; her son, J. Nienhuys, Aerdenhout, 1966-2004; bequest of J. Nienhuys, 2004. On top of that, alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Gerard ter Borch was a painter, whose style can mainly be classified as Baroque. The Baroque painter lived for 64 years and was born in 1617 and passed away in the year 1681.

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