Francesco Conti, 1735 - Return to Nazareth - fine art print

749 kr

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Detailed product summary

This artwork was created by the Italian artist Francesco Conti. The version of the piece of art was made with the size: Framed: 136,5 x 102,5 x 6 cm (53 3/4 x 40 3/8 x 2 3/8 in); Unframed: 118,2 x 84,2 cm (46 9/16 x 33 1/8 in). Oil on canvas was used by the Italian artist as the medium of the piece of art. Nowadays, this work of art can be viewed in in the The Cleveland Museum of Art's digital collection, which is located in Cleveland, Ohio, United States of America. This classic art public domain artpiece is included with courtesy of The Cleveland Museum of Art. The creditline of the artwork is: Mr. and Mrs. William H. Marlatt Fund. Besides, the alignment is in portrait format with a ratio of 1 : 1.4, which implies that the length is 29% shorter than the width. Francesco Conti was a male painter of Italian nationality, whose style can primarily be classified as Baroque. The artist lived for a total of 79 years, born in the year 1681 and deceased in 1760.

Original artwork description from The Cleveland Museum of Art (© - The Cleveland Museum of Art - The Cleveland Museum of Art)

Upon hearing rumor of a young king born to a virgin in Bethlehem, Herod, the ruler of Judea, jealously developed a plot to find and murder the infant Jesus. Fearing Herod's wrath, the Holy Family escaped to Egypt and eventually returned to Palestine-an echo of the great Exodus of the Old Testament. Conti trained in Rome but eventually made his career in Florence. Even given the pale colors, balletic poses, and attenuated forms, the sharp contrasts of dark and light, with figures emerging from deep shadow, attests to the long shadow of Caravaggio even in Florence a century later.

Piece of art background information

Name of the artwork: "Return to Nazareth"
Artwork categorization: painting
Category: classic art
Century: 18th century
Created in the year: 1735
Age of artwork: more than 280 years
Original medium of artwork: oil on canvas
Dimensions of the original artpiece: Framed: 136,5 x 102,5 x 6 cm (53 3/4 x 40 3/8 x 2 3/8 in); Unframed: 118,2 x 84,2 cm (46 9/16 x 33 1/8 in)
Museum: The Cleveland Museum of Art
Place of museum: Cleveland, Ohio, United States of America
Website: The Cleveland Museum of Art
Artwork license: public domain
Courtesy of: The Cleveland Museum of Art
Artwork creditline: Mr. and Mrs. William H. Marlatt Fund

Artist metadata table

Artist name: Francesco Conti
Aliases: Conti, Francesco Conti, Conti Francesco
Artist gender: male
Nationality of artist: Italian
Professions: painter
Country of origin: Italy
Classification of the artist: old master
Styles of the artist: Baroque
Died aged: 79 years
Birth year: 1681
Year died: 1760

Choose your material

The product dropdown menu provides you with the chance to choose your favorite material and size. You can choose your preferred material and size among the options:

  • The canvas print: A printed canvas, which shall not be mistaken with an artwork painted on a canvas, is a digital image printed on a UV direct printer. Besides, printed canvas makes a cosy and enjoyable effect. Hanging a canvas print: A canvas print has the great advantage of being relatively low in weight, which implies that it is easy to hang up your Canvas print without the use of extra wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
  • Aluminium dibond print: This is a metal print made on aluminium dibond material with an impressive depth effect. The Direct Print on Aluminum Dibond is your perfect introduction to art reproductions produced on aluminum. For your Aluminium Dibond option, we print your work of art onto the surface of the white-primed aluminum. The white and bright sections of the artwork shimmer with a silk gloss, however without glare. The colors are luminous in the highest definition, details of the print appear very clear.
  • The poster print (canvas material): The Artprinta poster print is a printed canvas with a granular surface texture. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the artwork, which facilitates the framing.
  • Acrylic glass print: The print on acrylic glass, often labelled as a UV print on plexiglass, changes your favorite original into gorgeous wall décor and is a distinct alternative to canvas or dibond fine art replicas. The artwork will be manufactured thanks to the help of modern UV direct printing technology. The great upside of a plexiglass print is that contrasts and granular color details become more identifiable thanks to the precise gradation.

Product table

Product type: fine art reproduction
Reproduction: reproduction in digital format
Production method: UV direct print (digital printing)
Origin of the product: manufactured in Germany
Type of stock: on demand
Intended usage: art reproduction gallery, art collection (reproductions)
Orientation of the image: portrait format
Side ratio: 1 : 1.4 length : width
Aspect ratio meaning: the length is 29% shorter than the width
Available product fabrics: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas print (canvas on stretcher frame) sizes: 50x70cm - 20x28", 100x140cm - 39x55"
Acrylic glass print (with real glass coating) sizes: 50x70cm - 20x28", 100x140cm - 39x55"
Poster print (canvas paper) variants: 50x70cm - 20x28"
Dibond print (alumnium material) size options: 50x70cm - 20x28", 100x140cm - 39x55"
Frame: not included

Important legal note: We strive to describe the products as exact as possible and to illustrate them visually. Still, the tone of the print materials and the printing may vary somehwat from the image on your device's screen. Depending on your settings of your screen and the nature of the surface, colors might not be printed as realisitcally as the digital version on this website. Considering that all the fine art prints are processed and printed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.

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