Thomas Anshutz, 1907 - A Rose - fine art print

This 20th century piece of art was made by the male artist Thomas Anshutz in 1907. The more than 110 years old original creation has the following size: 58 x 43 7/8 in (147,3 x 111,4 cm) and was painted on the medium oil on canvas. The artwork is included in the The Metropolitan Museum of Art's digital art collection. With courtesy of The Metropolitan Museum of Art, New York, Marguerite and Frank A. Cosgrove Jr. Fund, 1993 (public domain license). Creditline of the artwork: Marguerite and Frank A. Cosgrove Jr. Fund, 1993. In addition to that, the alignment is in portrait format and has a ratio of 3 : 4, which implies that the length is 25% shorter than the width.

Obtain your preferred product material variant

In the product dropdown selection you can pick your prefered material and size. You can choose your your favorite size and material among the following options:

• The poster print (canvas material): A poster print is a printed flat canvas paper with a nice structure on the surface. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm round about the artwork to facilitate the framing with your custom frame.
• Canvas print: A canvas print is a printed cotton canvas mounted on a wooden frame. A canvas creates a cosy, pleasing impression. A canvas print of your favorite work of art will let you turn your art print into a large artpiece as you would see in a real gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the use of any wall-mounts. Canvas prints are suitable for any kind of wall.
• Acrylic glass print (with real glass coating): The acrylic glass print, which is sometimes referenced as a fine art print on plexiglass, will convert your favorite artwork into lovely décor. With an acrylic glass fine art print contrasts and small details become more visible due to the fine tonal gradation.
• Aluminium dibond print: An Aluminium Dibond print is a print material with a true depth. The Direct Print on Aluminum Dibond is the excellent start to fine art replicas on aluminum. For your Direct Aluminium Dibond option, we print your chosen artpiece on the aluminium composite white-primed surface. The bright and white parts of the artwork shimmer with a silk gloss but without any glare. The colors of the print are bright and vivid in the highest definition, the fine details of the print appear crisp and clear. This direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a contemporary way to showcase art prints, since it puts all of the viewer’s attention on the replica of the artwork.

Legal note: We try in order to describe the art products as accurate as possible and to exhibit them visually in our shop. However, the pigments of the printing material, as well as the print result may diverge marginally from the presentation on the device's monitor. Depending on your screen settings and the nature of the surface, not all colors can be printed as exactly as the digital version depicted here. Since all art reproductions are printed and processed by hand, there may as well be minor deviations in the exact position and the size of the motif.

About the article

Artpiece table

Structured artist information

© Copyright protection | Artprinta.com (Artprinta)

What does the original description of the The Metropolitan Museum of Art state about this artwork made by Thomas Anshutz? (© - by The Metropolitan Museum of Art - www.metmuseum.org)

One of the most gifted American art teachers, Anshutz links the realism of his mentor Thomas Eakins with that of the Ashcan School, some of whom were his students. Perhaps because Anshutz spent so much time teaching, he painted only about 130 oils. Some of the most impressive belong to a series of images of Rebecca H. Whelen, daughter of a trustee of the Pennsylvania Academy of the Fine Arts, where Anshutz taught. The woman at leisure and the likening of a beautiful woman to a flower are common themes in late-nineteenth-century American painting. They reflect the contemporary definition of a woman's proper sphere: the realm of leisure, beauty, and the aesthetic, harmonious domestic environment. "A Rose" reflects Anshutz's simultaneous appreciation of Eakins's academic rigor and psychological probing and John Singer Sargent's painterly freedom. "A Rose" also suggests the influence of Diego Velázquez and James McNeill Whistler on late-nineteenth-century painters, including Eakins and Sargent as well as Anshutz. In portraying the young woman as contemplative and yet intellectually and emotionally alert, Anshutz also anticipates the earthier women painted by members of the Ashcan School and other twentieth-century realists.