Nicolas de Largillierre, 1696 - Portrait of a Woman, Possibly Madame Claude Lambert Thorigny (Marguerite Marie Bontemps, 1668-1701), and year Enslaved Servant - fine art print
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General description by The Metropolitan Museum of Art (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Although born in Paris, Largillierre began his career in Antwerp and London and his earlier portraits show the considerable influence of Anthony van Dyck and Peter Lely. The attenuated palette of soft colors and the still-life details in this painting reflect his early training. Although he painted landscapes and still lifes, Largillierre is best known as a portraitist of the wealthy bourgeoisie, and this sitter is traditionally identified as the wife of Claude Lambert de Thorigny, president of the Chambre des Comptes and owner of the Hôtel Lambert in Paris, which houses the celebrated Galerie d'Hercule decorated by Charles Le Brun. Surrounded by trappings of wealth, the sitter appears with a young man of African origin, whose collar indicates his enslaved status.
Structured details of the artwork
Artwork title: | "Portrait of a Woman, Possibly Madame Claude Lambert Thorigny (Marguerite Marie Bontemps, 1668-1701), and year Enslaved Servant" |
Classification: | painting |
Umbrella term: | classic art |
Temporal classification: | 17th century |
Year of creation: | 1696 |
Artwork age: | around 320 years |
Artwork original medium: | oil on canvas |
Original dimensions (artwork): | 55 x 42 in (139,7 x 106,7 cm) |
Museum / collection: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Web URL: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Rogers Fund, 1903 |
Creditline of artwork: | Rogers Fund, 1903 |
Artist summary table
Artist: | Nicolas de Largillierre |
Artist nationality: | French |
Professions of the artist: | painter |
Country of origin: | France |
Artist category: | old master |
Art styles: | Baroque |
Lifetime: | 90 years |
Year born: | 1656 |
Died in the year: | 1746 |
The product
Article categorization: | art print |
Method of reproduction: | digital reproduction |
Manufacturing process: | UV direct print (digital printing) |
Manufacturing: | manufactured in Germany |
Type of stock: | on demand production |
Product usage: | wall picture, art collection (reproductions) |
Artwork alignment: | portrait format |
Side ratio: | (length : width) 3 : 4 |
Aspect ratio interpretation: | the length is 25% shorter than the width |
Available variants: | poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (with real glass coating) variants: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Poster print (canvas paper) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Aluminium dibond print (aluminium material) variants: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Picture frame: | without frame |
Choose a art print material option
The product dropdown menu ofers you the possibility to choose a material and a sizeaccording to your personal preferences. You can choose among the following product customization options:
- Aluminium print (aluminium dibond): These are metal prints on alu dibond material with an outstanding depth. The bright & white components of the original work of art shine with a silk gloss but without any glow.
- Acrylic glass print (with real glass coating): An print on acrylic glass, often labelled as a print on plexiglass, will change the artwork into stunning home decoration. The work of art is being printed with the help of modern UV direct print technology. The acrylic glass protects your custom art replica against sunlight and external influences for up to 60 years.
- The canvas print: The canvas direct print is a printed cotton canvas mounted on a wooden frame. How can I hang a canvas print on my wall? Canvas prints are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of additional wall-mounts. Hence, a canvas print is suitable for any kind of wall in your home.
- Poster (canvas material): The poster print is a printed sheet of canvas paper with a slightly rough texture on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with your custom frame.
Article details
The piece of art named "Portrait of a Woman, Possibly Madame Claude Lambert Thorigny (Marguerite Marie Bontemps, 1668-1701), and year Enslaved Servant" was created by the French painter Nicolas de Largillierre. The original was made with the size: 55 x 42 in (139,7 x 106,7 cm) and was produced on the medium oil on canvas. This piece of art is included in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This classic art public domain artwork is being provided with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1903. In addition, the artpiece has the following creditline: Rogers Fund, 1903. In addition to this, the alignment of the digital reproduction is in portrait format with an image ratio of 3 : 4, meaning that the length is 25% shorter than the width. Nicolas de Largillierre was a painter, whose art style can primarily be classified as Baroque. The French painter lived for 90 years, born in 1656 and died in the year 1746.
Legal note: We try what we can to describe our art products as accurately as it is possible and to demonstrate them visually in our shop. However, some pigments of the printed materials and the printing can vary marginally from the representation on your monitor. Depending on your settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version depicted here. Given that the art prints are processed and printed by hand, there might also be minor discrepancies in the motif's size and exact position.
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