Louis de Caulery, 1600 - View of St. Peter's Square in Rome for the election of Pope Clement VIII in 1592 - fine art print

Supplementary description by Petit Palais - Musée des Beaux-arts de la Ville de Paris website (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

The historical stage of enthronement of Pope Clement VIII in 1592 is located on St. Peter's Square in Rome. Pope Clement VIII, whose coat of arms appears above the right door, blesses the faithful "Urbi et Orbi" from the loggia, built in the fifteenth century to the atrium of the old basilica of Constantine.

The Flemish painter Louis Caulery certainly never witnessed the scene he chose to paint. Indeed, it is not sure that the artist came to Italy and some details in the representation of St. Peter are not totally faithful to reality. Thus, this table could very well be done in the workshop of Louis Caulery Antwerp from prints that were circulating throughout Europe.

Clement VIII Pope

historical scene, Pope, Italian, Enthronement Blessing Crowd, Faithful, Basilica of Constantine (destroyed, Vatican), Vatican Obelisk, St. Peter's (Vatican site)

In 1600 the painter Louis de Caulery painted this 17th century artwork. The more than 420 year-old original version had the size: Height: 38 cm, Width: 50 cm. Oil, Copper was used by the painter as the technique for the painting. Furthermore, the artpiece is part of the collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris. The classic art masterpiece, which belongs to the public domain is being provided with courtesy of Petit Palais Paris.The creditline of the artwork is the following: . On top of that, alignment of the digital reproduction is landscape with an image ratio of 4 : 3, which means that the length is 33% longer than the width.

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• Aluminium dibond: This is a metal print manufactured on aluminium dibond material with an outstanding depth. A non-reflective surface creates a fashionable look. For our Aluminium Dibond option, we print your artwork right on the aluminium composite white-primed surface. The white & bright components of the original artpiece shimmer with a silky gloss, however without glow. The colors are luminous in the highest definition, fine details appear clear and crisp, and there’s a matte appearance you can literally feel.
• Glossy acrylic glass print: An print on acrylic glass, often denoted as a plexiglass print, will change the original work of art into amazing home décor and makes a distinct alternative to aluminium or canvas prints. The artwork will be made thanks to the help of modern UV printing machines. This makes sharp, vivid colors. The real glass coating protects your custom art print against sunlight and heat for many decades.
• The poster print (canvas material): The poster is a printed canvas paper with a slight structure on the surface. Please note, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm around the print motif in order to facilitate the framing with your custom frame.
• The canvas print: The printed canvas material stretched on a wooden frame. A canvas print of this work of art will allow you to transform your fine art print into a large size work of art. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without the support of additional wall-mounts. A canvas print is suited for any type of wall.

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Important note: We try everythig possible in order to depict the art products with as many details as possible and to illustrate them visually on the product detail pages. Although, the colors of the print products, as well as the print result may vary marginally from the presentation on the monitor. Depending on the screen settings and the quality of the surface, not all colors can be printed one hundret percent realistically. In view of the fact that all the are processed and printed by hand, there might as well be slight deviations in the motif's exact position and the size.

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