Hans Makart, 1874 - Bacchus and Ariadne - fine art print

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• Canvas print: The canvas print is a printed canvas stretched on a wood stretcher. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any type of wall.
• Aluminium dibond: These are metal prints on aluminium dibond with an impressive depth effect - for a modern impression and non-reflective surface. A direct Direct Print on Aluminum Dibond is the excellent start to art prints on aluminum. The direct UV print on Aluminum Dibond is one of the most popular entry-level products and is an extremely modern way to showcase artworks, since it draws attention on the replica of the artwork.
• The acrylic glass print: A glossy print on acrylic glass, which is often labelled as a plexiglass print, will convert the original artwork into brilliant décor. The artwork is made thanks to modern UV print technology. With an acrylic glass fine art print contrasts plus color details become more identifiable because of the granular tonal gradation.
• Poster print (canvas material): The poster is a printed sheet of canvas with a nice surface structure. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the work of art, which facilitates the framing.

Legal disclaimer: We try everything to describe our products as precisely as possible and to showcase them visually. At the same time, the colors of the printing material, as well as the imprint may differ marginally from the representation on your screen. Depending on the settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version. Since our fine art prints are printed and processed by hand, there may also be slight variations in the motif's exact position and the size.

Additional information on the original artwork by Belvedere (© - Belvedere - Belvedere)

The exact title should read: "The Marriage of Bacchus and Ariadne auf Naxos". Most in the literature because the first version of the name is to find "The Triumph of Ariadne". "Hans Makart had to paint the curtain for the newly opened in Vienna comic opera, and the delightful composition that he chosen the same as an ornament, a Bacchantenzug was seen during the last months in the studio of the master. But the effect of the curtain was tested in the new theater building, it was found that the, as usual, did not possess in oleic place in glue or wax colors painted picture the sufficient brightness and that even the disturbing gloss is not to eliminate: and so Makart decided because withdraw quickly the curtain and, once again perform in wax color, a previously common technique he. we hear that the first image has already found another provision. the comic opera is content for the moment with the intermediate curtain. " (Anonymous, Art News, 02.13.1874). The new curtain was never executed. The opening of the "Komische Oper" was held on 17.01.1874. As "Ringtheater" she fell victim to a devastating fire on 08/12/1881. The comparison with the made-to-the picture in the first state photogravure shows the profound part changes, carried out the Makart after the withdrawal: He not only corrected details, but also added figures added (Bacchus, satyrs on the right edge, putting next to the tigers figure in the forest clearing), worked to background landscape and sky and brought a change in the weight distribution in the composition cause. To mark an X-ray examination, the Bundesdenkmalamt Vienna conducted in 1961, the overpainting could not be found. The design (see. Frodl, Makart, 2013, cat. No. 243) is closer to nature, the first state. The sketch in Amiens (see. Frodl, Makart, 2013, cat. No. 240) belongs to an even earlier stage of development of "Bacchus and Ariadne". See. Curtain design in the Austrian Gallery, inv 207b (see FIG. Frodl, Makart 2013, cat. No. 241). - pencil sketch, Vienna, Albertina Graphic Arts Collection, Inv 5848 (15.5 x 19.7 cm). - St. Poelten, Lower Austria State Museum, inv 3280 (12.3 x 15.1 cm) and Inv 3264 (20.1 x 27.4 cm). [See. Frodl, Makart, 2013, cat. No. 244]

In 1874 the male painter Hans Makart painted the artpiece. The original was made with the absolute size: 476 x 784 cm crate Dimensions: 167 x 565 x 140 cm. Oil on canvas was applied by the Austrian painter as the technique for the work of art. The artpiece is included in the digital art collection of Belvedere, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. With courtesy of - © Belvedere, Vienna, inventory number: 2097 (licensed - public domain). Moreover, the work of art has the following creditline: transfer from the Kunsthistorisches Museum, Vienna in 1921. On top of that, alignment is in landscape format and has a side ratio of 16 : 9, meaning that the length is 78% longer than the width. Hans Makart was a male painter, whose artistic style can be attributed primarily to Historicism. The Austrian painter was born in the year 1840 in Salzburg, Salzburg, Austria and deceased at the age of 44 in the year 1884.

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