George Dawe, 1803 - Achilles, frantic for the loss of Patroclus, rejecting the consolation of Thetis - fine art print

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General specifications by the museum (© Copyright - Museum of New Zealand - Te Papa Tongarewa - www.tepapa.govt.nz)

Achilles, frantic for the loss of Patroclus, rejecting the consolation of Thetis, 1803, United Kingdom, by George Dawe. Gift of the New Zealand Academy of Fine Arts, 1936. Te Papa (1936-0012-83)

Background data on the unique work of art

Title of the piece of art: "Achilles, frantic for the loss of Patroclus, rejecting the consolation of Thetis"
Artwork classification: painting
Art classification: modern art
Period: 19th century
Created in: 1803
Age of artwork: over 210 years old
Original medium of artwork: oil on canvas
Original artwork size: Image: 1289mm (width), 1022mm (height)
Exhibited in: Museum of New Zealand - Te Papa Tongarewa
Location of museum: Te Aro, Wellington, New Zealand
Available at: www.tepapa.govt.nz
License type: public domain
Courtesy of: Achilles, frantic for the loss of Patroclus, rejecting the consolation of Thetis, 1803, by George Dawe. Gift of the New Zealand Academy of Fine Arts, 1936. Te Papa (1936-0012-83)
Creditline: Gift of the New Zealand Academy of Fine Arts, 1936

Artist details

Artist name: George Dawe
Additional names: George Dawe, [Dawe], Dawe, Dawe George
Artist gender: male
Nationality: British
Jobs of the artist: painter
Country of origin: the United Kingdom
Artist category: modern artist
Art styles: Romanticism
Life span: 48 years
Born in the year: 1781
Hometown: London, Greater London, England, United Kingdom
Year died: 1829
Deceased in (place): Kentish Town, London, Greater London, England, United Kingdom, neighborhood

About this product

Print categorization: wall art
Reproduction: digital reproduction
Manufacturing method: digital printing (UV direct print)
Manufacturing: German production
Stock type: on demand production
Proposed product use: home décor, wall art
Alignment of the artwork: landscape format
Side ratio: 1.2 : 1 (length : width)
Implication: the length is 20% longer than the width
Materials you can select: poster print (canvas paper), canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas on stretcher frame (canvas print) options: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Acrylic glass print (with real glass coating) sizes: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Poster print (canvas paper) options: 60x50cm - 24x20", 120x100cm - 47x39"
Dibond print (alumnium material) size options: 60x50cm - 24x20", 120x100cm - 47x39"
Frame: not included

Materials our customers can pick

We offer a range of different materials and sizes for every product. The following sizes and materials are the options we offer you for individualization:

  • Poster print (canvas material): A poster is a UV printed sheet of canvas paper with a slightly roughened surface structure, that resembles the original artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6 cm around the artwork in order to facilitate the framing with your custom frame.
  • Acrylic glass print (with real glass coating): A glossy acrylic glass print, often named a print on plexiglass, will change an original into brilliant décor and offers a viable alternative to dibond and canvas fine art replicas. Your work of art will be manufactured with the help of modern UV print machines. The major upside of a plexiglass print is that contrasts and minor image details will be recognizeable thanks to the delicate gradation.
  • The canvas print: A UV printed canvas applied on a wood frame. Additionally, a canvas print makes a cosy, pleasing effect. Canvas Prints have the advantage of being low in weight, meaning that it is easy to hang the Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
  • Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect, which creates a fashionable look with a non-reflective surface structure. A direct Aluminium Dibond Print is the excellent start to fine reproductions produced with aluminum. The bright & white parts of the original work of art shine with a silk gloss, however without any glare. Colors are luminous in the highest definition, the fine details of the print are crisp and clear.

Summarization of the replica

This work of art was painted by George Dawe in 1803. The painting measures the size: Image: 1289mm (width), 1022mm (height) and was painted with oil on canvas. This work of art belongs to the digital art collection of Museum of New Zealand - Te Papa Tongarewa, which is the national museum of New Zealand, with a great collection of artworks that contain deep ancestral links to the indigenous Māori population of New Zealand. With courtesy of: Achilles, frantic for the loss of Patroclus, rejecting the consolation of Thetis, 1803, by George Dawe. Gift of the New Zealand Academy of Fine Arts, 1936. Te Papa (1936-0012-83) (licensed: public domain). Creditline of the artwork: Gift of the New Zealand Academy of Fine Arts, 1936. On top of that, alignment is in landscape format and has a side ratio of 1.2 : 1, which means that the length is 20% longer than the width. George Dawe was a painter from the United Kingdom, whose artistic style can primarily be attributed to Romanticism. The European artist lived for 48 years - born in 1781 in London, Greater London, England, United Kingdom and deceased in 1829 in Kentish Town, London, Greater London, England, United Kingdom, neighborhood.

Important information: We try to depict our products as exact as possible and to showcase them visually in our shop. Still, some pigments of the printed materials, as well as the print result might vary to a certain extent from the representation on the monitor. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because all the fine art prints are processed and printed manually, there may as well be minor discrepancies in the exact position and the size of the motif.

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