Luca Carlevaris, 1709 - Piazza San Marco, Venice - fine art print

The artpiece titled Piazza San Marco, Venice as art print

The piece of art Piazza San Marco, Venice was created by the male Italian painter Luca Carlevaris in 1709. The original creation measures the following size: 19 7/8 x 47 1/4 in (50,5 x 120 cm) and was manufactured on the medium oil on canvas. Nowadays, this artwork is included in the The Metropolitan Museum of Art's digital collection located in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (license: public domain). The creditline of the artwork is the following: Robert Lehman Collection, 1975. Furthermore, alignment of the digital reproduction is in landscape format and has a side ratio of 5 : 2, meaning that the length is two and a half times longer than the width. The painter Luca Carlevaris was an artist, whose artistic style can mainly be assigned to Baroque. The Baroque artist lived for a total of 67 years and was born in 1663 and deceased in the year 1730.

Available materials

For every art print we offer different materials and sizes. We allow you to pick your favorite size and material among the following product individualization options:

• The glossy acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is sometimes denoted as a an art print on plexiglass, will transform your favorite original artwork into magnificient wall decoration. With an acrylic glass fine art print sharp contrasts and small artwork details become more recognizeable because of the very fine gradation of the print. The acrylic glass protects your chosen art print against light and heat for decades.
• Metal print (aluminium dibond): An Aluminium Dibond print is a print material with an outstanding depth. A direct Aluminium Dibond Print is the ideal introduction to the sophisticated world of fine art prints on aluminum. For our Aluminium Dibond print, we print your chosen work of art onto the aluminium composite white-primed surface. The bright and white parts of the original artwork shimmer with a silky gloss, however without the glow.
• Canvas: A canvas print is a printed canvas mounted on a wood frame. A canvas has a extra look of three dimensionality. Canvas prints are relatively low in weight. This means, it is quite simple to hang up your Canvas print without additional wall-mounts. Canvas prints are suitable for all kinds of walls.
• Printed poster (canvas material): A poster is a UV printed canvas with a slightly rough surface finish. The poster print is perfectly appropriate for placing the fine art print with a special frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the print in order to facilitate the framing with your custom frame.

Legal disclaimer: We try our best to depict the products as accurate as possible and to display them visually on the product detail pages. However, the tone of the printing material and the imprint can vary marginally from the image on your monitor. Depending on your settings of your screen and the nature of the surface, not all color pigments will be printed one hundret percent realistically. Considering that the art reproductions are printed and processed manually, there might also be slight deviations in the exact position and the size of the motif.

Structured product details

Structured table of the artpiece

Artist overview

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Original description by the museum's website (© - The Metropolitan Museum of Art - www.metmuseum.org)

Populating the Piazza with energetic Venetians, Carlevaris gives this rendering of the Piazza San Marco a lively cast. The Square is framed by the Procuratie Vecchie on the left, and the Procuratie Nuove on the right. The basilica of San Marco and Torre dell’Orologio rise in the distance. Carlevaris is known to have carefully studied his figures prior to laying them in on canvas, and while no such studies exist for the laborers and gondoliers in this painting, his numerous extant oil sketches of Venetian ladies and gentlemen in other museum collections attest to this practice.