Canaletto, 1730 - The Grand Canal, Venice, Looking South toward the Rialto Bridge - fine art print

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Original artwork specifications by the museum (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

Canaletto shows the business and commercial center of Venice. The distant building with an arcade at ground level and many chimneys was the warehouse of the German merchants, the Fondaco dei Tedeschi. Just to the right is the foot of the Rialto Bridge, and, at further right, the Palazzo dei Camerlenghi. Then, as now, the rose-colored buildings and the spaces in front housed the fruit and fish markets. The picture is from a series of twenty views that were probably painted for Joseph Smith, British consul in Venice from 1744 to 1760.

Structured artwork information

Title of the painting: "The Grand Canal, Venice, Looking South toward the Rialto Bridge"
Classification: painting
Category: classic art
Artwork century: 18th century
Created in the year: 1730
Approximate age of artwork: more than 290 years old
Painted on: oil on canvas
Artwork original dimensions: 18 1/4 × 30 1/2 in (46,4 × 77,5 cm)
Museum: The Metropolitan Museum of Art
Museum location: New York City, New York, United States of America
Website: www.metmuseum.org
License type of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman, 2019
Artwork creditline: Bequest of Mrs. Charles Wrightsman, 2019

Artist overview table

Artist: Canaletto
Gender of the artist: male
Artist nationality: Italian
Professions: painter
Home country: Italy
Classification: old master
Styles of the artist: Baroque
Age at death: 71 years
Year of birth: 1697
Died: 1768

About this article

Article type: fine art reproduction
Reproduction method: digital reproduction
Manufacturing method: digital printing
Product Origin: German production
Stock type: on demand production
Proposed product use: gallery wall, art reproduction gallery
Alignment: landscape alignment
Image aspect ratio: (length : width) 3 : 2
Implication of image ratio: the length is 50% longer than the width
Materials you can select: canvas print, poster print (canvas paper), acrylic glass print (with real glass coating), metal print (aluminium dibond)
Canvas on stretcher frame (canvas print) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Acrylic glass print (with real glass coating): 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Poster print (canvas paper) options: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminium dibond print: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Art print framing: not available

What art print materials can I select?

In the dropdown selection right next to the product offering you can select your individual material and size. We allow yout to choose among the following variants:

  • Acrylic glass print: An print on acrylic glass, often referred to as a plexiglass print, will turn the original work of art into brilliant home decoration. What is more, the acrylic print makes a good alternative option to aluminium and canvas art prints. Your favorite work of art is manufactured with state-of-the-art UV direct printing machines. With an acrylic glass fine art print contrasts and also granular painting details become more identifiable because of the fine tonal gradation of the picture. The plexiglass with real glass coating protects your chosen art replica against sunlight and external influences for up to 6 decades.
  • Poster print (canvas material): A poster print is a printed flat canvas paper with a nice surface structure. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6 cm round about the print, which facilitates the framing with your custom frame.
  • Aluminium print (aluminium dibond): Aluminium Dibond prints are prints on metal with a true effect of depth - for a modern impression and a non-reflective surface structure. The Direct Print on Aluminum Dibond is your perfect start to art reproductions on aluminum. For your Direct Print On Aluminum Dibond, we print the chosen artpiece right onto the surface of the aluminum composite. The bright parts of the original artwork shimmer with a silk gloss but without glare. The colors of the print are luminous and bright, the fine details are crisp and clear. The direct print on aluminium is the most popular entry-level product and is a truly modern way to display fine art prints, since it puts the viewer’s focus on the artwork.
  • Canvas print: The printed canvas, which should not be mistaken with a real canvas painting, is a digital image printed on a canvas material. Your canvas print of this artwork will let you turn your personal into a large size artpiece like you know from galleries. A canvas print has the advantage of being low in weight, which implies that it is easy to hang up the Canvas print without the help of extra wall-mounts. Canvas prints are suited for any kind of wall.

Background information on this over 290 year-old work of art

The more than 290 year-old work of art called The Grand Canal, Venice, Looking South toward the Rialto Bridge was painted by the artist Canaletto. The more than 290 year-old original had the following size: 18 1/4 × 30 1/2 in (46,4 × 77,5 cm) and was painted with oil on canvas. The artpiece is included in the The Metropolitan Museum of Art's digital art collection located in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Bequest of Mrs. Charles Wrightsman, 2019 (public domain). Creditline of the artwork: Bequest of Mrs. Charles Wrightsman, 2019. Besides this, the alignment is in landscape format and has a ratio of 3 : 2, which means that the length is 50% longer than the width. Canaletto was a male painter from Italy, whose artistic style can be classified as Baroque. The painter lived for 71 years and was born in 1697 and deceased in 1768.

Legal note: We try our best in order to depict the products in as much detail as possible and to exhibit them visually in our shop. Nonetheless, the tone of the print materials, as well as the printing can differ somehwat from the image on the screen. Depending on your settings of your screen and the condition of the surface, not all colors are printed as realisitcally as the digital version. Given that all art reproductions are printed and processed manually, there might as well be minor discrepancies in the size and exact position of the motif.

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