Nicolaes Pietersz Berchem, 1670 - Allegory of Winter - fine art print

Supplemental information from the museum (© Copyright - by Mauritshuis - Mauritshuis)

Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1221 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1221); his sale, London (Christie’s), 30 November 1979, no. 4; Leger Gallery, London 1981 (together with inv. no. 1221); Noortman Gallery, Maastricht-London (together with inv. no. 1221); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1221 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220-1221)

Piece of art table

Artist summary table

About the product

Choose your preferred material option

In the dropdown selection right next to the article you can select the material and sizeaccording to your individual preferences. Select your favorite material and size among the options:

• Aluminium dibond: These are metal prints on aluminium dibond material with an impressive depth. A non-reflective surface make a fashionable look. For the Aluminium Dibond print, we print your chosen artwork onto the surface of the white-primed aluminum composite.
• The poster print on canvas material: A poster print is a printed flat canvas with a granular structure on the surface, which reminds the actual artwork. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6 cm around the print motif, which facilitates the framing with your custom frame.
• Canvas print: A canvas print, which should not be confused with an artwork painted on a canvas, is an image printed from an industrial printer. Your printed canvas of this artwork will let you turn your into a large work of art as you would see in a true gallery. How can I hang a canvas print on my wall? Canvas Prints have the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up your Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
• Printed acrylic glass: The print on acrylic glass, which is often described as a UV print on plexiglass, will transform the artwork into beautiful décor. In addition to that, the acrylic glass art print is a viable alternative to aluminium and canvas art prints. Your own version of the work of art will be printed thanks to the help of modern UV print machines. This creates the effect of vibrant and impressive colors. With an acrylic glass fine art print contrasts as well as painting details will be exposed because of the very fine tonal gradation of the picture.

Article summarization

This over 350 year-old masterpiece called "Allegory of Winter" was painted by Nicolaes Pietersz Berchem in 1670. The version of the masterpiece measures the size of height: 94 cm width: 88,9 cm | height: 37 in width: 35 in. Oil on canvas was used by the painter as the medium of the work of art. The artpiece has the following inscription: "signed: Berchem f". This artpiece forms part of the Mauritshuis's art collection. With courtesy of - Mauritshuis, The Hague (public domain license). The creditline of the artwork is: Herman van Swoll, Amsterdam, c.1670-1698; his sale, Amsterdam, 22 April 1699, no. 20 (the entire series for 570 guilders); private collection, Amsterdam; anonymous sale, Amsterdam, 13 July 1718 (Lugt 267), no. 5 (the entire series for 505 guilders); sale Amsterdam (Daniel Adrianus Beukelaar), 22 May 1731 (Lugt 409a), no. 1; Morel collection, Paris; Morel sale, Paris (Lebrun), 3 May 1786 (Lugt 4025 and 4040), no. 70 (the entire series for 7801 livres to Langlier); Jacques Langlier Gallery, Paris, 1786-1789; his sale (‘Lenglier’), Paris (Lebrun), 15 April 1789 (Lugt 4422 and 4429), no. 50 (unsold); private collection, Paris, until 1834; Marseille Middleton Holloway, London; his sale, London, 1872 (the entire series for 170 pounds to Nieuwenhuys); Charles J. Nieuwenhuys Gallery, Brussels and London, 1872; sale London (Christie’s), 17 May 1945, no. 129 (together with inv. no. 1221 for 32 guineas to Shapiro); Dr. E.I. Shapiro, London, 1945-1979 (together with inv. no. 1221); his sale, London (Christie’s), 30 November 1979, no. 4; Leger Gallery, London 1981 (together with inv. no. 1221); Noortman Gallery, Maastricht-London (together with inv. no. 1221); Eric Alberda Jelgersma, 1990-2018 (together with inv. no. 1221 and from 2013 together with inv. no. 1220); acquired with the support of the BankGiro Lottery and the Rembrandt Association (thanks in part to her Fund for 17th-century Painting and her Fund 1931), 2018 (together with inv. nos. 1220-1221). On top of that, alignment of the digital reproduction is square with an aspect ratio of 1 : 1, which means that the length is equal to the width.

Disclaimer: We try what we can in order to depict our products as closely as possible and to illustrate them visually. However, the colors of the print products, as well as the printing may diverge to a certain extent from the image on the screen. Depending on the screen settings and the condition of the surface, not all colors are printed as realistically as the digital version shown here. Because all the fine art prints are printed and processed manually, there may as well be slight discrepancies in the motif's exact position and the size.

This text is copyrighted © | Artprinta (www.artprinta.com)