Charles Le Brun, 1660 - Everhard Jabach (1618–1695) and His Family - fine art print

The product offering

This classic art piece of art called Everhard Jabach (1618–1695) and His Family was painted by the male painter Charles Le Brun. The more than 360 years old original creation had the following size: 110 1/4 × 129 1/8 in (280 × 328 cm) and was crafted with the technique of oil on canvas. The artwork belongs to the digital collection of The Metropolitan Museum of Art in New York City, New York, United States of America. This masterpiece, which belongs to the public domain is being supplied with courtesy of The Metropolitan Museum of Art, New York, Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. : Purchase, Mrs. Charles Wrightsman Gift, in honor of Keith Christiansen, 2014. Besides this, the alignment of the digital reproduction is in landscape format and has an image ratio of 1.2 : 1, which means that the length is 20% longer than the width. The architect, painter, decorator Charles Le Brun was a European artist from France, whose style can be classified as Baroque. The European painter lived for 71 years and was born in the year 1619 in Paris, Ile-de-France, France and died in 1690 in Paris, Ile-de-France, France.

Your product product material options

We offer a range of various sizes and materials for every product. The following sizes and materials are the options we offer you for individualization:

• Print on glossy acrylic glass (with real glass coating): A glossy print on acrylic glass, which is often denoted as a plexiglass print, changes an artwork into beautiful wall decoration. The artwork will be custom-made with the help of modern UV direct printing machines. The real glass coating protects your chosen art print against light and external influences for many years to come.
• Printed poster on canvas material: The Artprinta poster print is a UV printed canvas with a slight surface structure. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm round about the print to facilitate the framing with your custom frame.
• Metal (aluminium dibond print): These are metal prints on aluminium dibond material with a true depth effect. The Direct Print on Aluminum Dibond is your best start to reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium white-primed surface. Colors are luminous and vivid in the highest definition, fine details of the print appear very clear.
• The canvas print: The printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital image printed onto canvas material. Your canvas print of your favorite masterpiece will let you turn your custom art print into a large artpiece as you know from galleries. Canvas Prints have the advantage of being relatively low in weight, which means that it is quite simple to hang up your Canvas print without the use of any wall-mounts. Canvas prints are suitable for all types of walls.

Important legal note: We try what we can to describe our products in as much detail as possible and to exhibit them visually. Please keep in mind that the colors of the print products and the printing may diverge marginally from the image on your screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed 100% realistically. Since all art reproductions are processed and printed manually, there might as well be slight deviations in the motif's size and exact position.

Structured article information

Details about the work of art

Artist table

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Original artwork description from the museum (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

This painting combines the domestic intimacy and descriptive richness of Dutch and Flemish art, which Jabach collected and admired, with the measured formal organization and allegorical allusions characteristic of French portraiture. Everhard Jabach (1618–1695), dressed in black, is seated in the company of his wife and their four children. Although Le Brun presents an arresting portrayal of each sitter, much of the composition is given over to Jabach and the emblems of his cultural interests and, through the artist’s reflection in the mirror, his association with France’s leading painter. Le Brun’s canvas must have been executed around 1660, which also coincides with the construction of his grand new Parisian house.