Adriaen Isenbrant, 1530 - Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin - fine art print

The 16th century painting called Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin was painted by the northern renaissance painter Adriaen Isenbrant in 1530. The original has the following size: 41 1/2 x 36 1/2 in (105,4 x 92,7 cm) and was painted with the technique of oil on canvas, transferred from wood. What is more, the piece of art is part of the The Metropolitan Museum of Art's digital art collection located in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, Rogers Fund, 1904 (licensed - public domain). The creditline of the artpiece is the following: Rogers Fund, 1904. On top of that, alignment of the digital reproduction is in portrait format and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. The painter Adriaen Isenbrant was a European artist from the Netherlands, whose style can be classified as Northern Renaissance. The European painter lived for a total of 41 years - born in 1510 and died in 1551.

Materials you can pick from

For every product we offer a range of different sizes and materials. In order match your personal requirements perfectly, you can choose among the following product customization options:

• The canvas print: The printed canvas material stretched on a wooden stretcher frame. In addition to that, a canvas makes a cosy and comfy atmosphere. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for all types of walls.
• The glossy acrylic glass print (with real glass coating): An acrylic glass print, often named a UV print on plexiglass, will change the original into brilliant home decoration and offers a distinct alternative to canvas and aluminidum dibond fine art replicas. The real glass coating protects your custom art replica against light and heat for decades.
• Aluminium dibond print: An Aluminium Dibond print is a material with a true effect of depth. The bright and white parts of the artpiece shine with a silk gloss, however without the glow.
• The poster print (canvas material): The poster print is a printed canvas paper with a nice finish on the surface, that resembles the original work of art. It is ideally appropriate for putting your art replica in a custom frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the work of art, which facilitates the framing.

Legal disclaimer: We do whatever we can in order to depict the art products as closely as possible and to exhibit them visually. Please keep in mind that the tone of the printing material, as well as the printing can diverge slightly from the representation on the screen. Depending on the screen settings and the quality of the surface, not all color pigments will be printed as exactly as the digital version depicted here. Because all our art reproductions are processed and printed manually, there might also be slight differences in the exact position and the size of the motif.

The product details

Artpiece table

Artist table

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Supplemental information by the museum's website (© Copyright - The Metropolitan Museum of Art - The Metropolitan Museum of Art)

In this austere and haunting image, Christ is depicted in the form of an Ecce Homo—presented to the people of Jerusalem by Pilate, the Roman prefect of Jerusalem, prior to being led off to be crucified. He wears a crown of thorns and on his exposed torso bears the wounds from his flagellation. The hostile crowd, however, is omitted. Seen up close, in half-length and nearly lifesize, Christ and his mother have been isolated for devotional contemplation. They are presented directly to the viewer, who becomes Christ's judge as well as a participant in the Virgin's grief.