Theodore Robinson, 1893 - Evening at the Lock, Napanoch, New York - fine art print

29,99 €

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Description from the museum (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)

In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting at Napanoch, New York, in the Shawangunk Mountains, and chronicled that still-rural region in several canvases. Here, he commemorated an old canal that used to facilitate the transport of coal from Pennsylvania to New York City but had been rendered obsolete by more efficient railroad lines. In contrast to the grandiloquent responses to the same region by the earlier Hudson River School painters, Robinson’s subtle view demonstrates the American Impressionists’ determination to represent the commonplace.

Piece of art specs

Painting name: "Evening at the Lock, Napanoch, New York"
Classification: painting
General term: modern art
Century: 19th century
Created in the year: 1893
Age of artwork: more than 120 years
Painted on: oil on canvas
Artwork original dimensions: 22 x 32 in (55,9 x 81,3 cm)
Exhibited in: The Metropolitan Museum of Art
Location of the museum: New York City, New York, United States of America
Website of the museum: www.metmuseum.org
License type of artwork: public domain
Courtesy of: The Metropolitan Museum of Art, New York, Gift of The Manoogian Foundation, 2011
Creditline: Gift of The Manoogian Foundation, 2011

Artist summary

Name of the artist: Theodore Robinson
Also known as: Theodore Robinson, th. robinson, Robinson Theodore, theo robinson, Robinson
Artist gender: male
Nationality of artist: American
Jobs: painter
Home country: United States
Artist category: modern artist
Art styles: Impressionism
Age at death: 44 years
Born: 1852
Place of birth: Irasburg, Orleans county, Vermont, United States
Year died: 1896
Deceased in (place): New York City, New York state, United States

Product specs

Article categorization: art reproduction
Reproduction: digital reproduction
Production method: digital printing (UV direct print)
Product Origin: produced in Germany
Type of stock: on demand
Intended usage: wall art, home décor
Image orientation: landscape format
Side ratio: length to width 3 : 2
Meaning: the length is 50% longer than the width
Available product materials: poster print (canvas paper), metal print (aluminium dibond), canvas print, acrylic glass print (with real glass coating)
Canvas print (canvas on stretcher frame) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Acrylic glass print (with real glass coating) size options: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Poster print (canvas paper) sizes: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Aluminium print sizes: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Frame: no frame

Product materials you can choose from

In the product dropdown menu you can select your individual material and size. Therefore, we allow you to choose among the following options:

  • Acrylic glass print (with real glass coating): An print on acrylic glass, which is often referred to as a print on plexiglass, makes the original into décor. Your favorite work of art will be printed thanks to the help of state-of-the-art UV print machines.
  • Printed poster (canvas material): The Artprinta poster print is a printed canvas paper with a nice texture on the surface. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the print, which facilitates the framing with a custom frame.
  • The canvas print: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. It creates the distinctive impression of three dimensionality. Also, a printed canvas produces a charming and appealing atmosphere. Your canvas of this work of art will allow you to transform your own art print into a large collection piece as you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without any wall-mounts. Because of thata canvas print is suitable for any type of wall.
  • Metal print (aluminium dibond): These are metal prints on aluminium dibond with a true depth effect. The non-reflective surface creates a fashionable look. For our Print On Aluminum Dibond, we print your chosen artwork right onto the aluminium composite white-primed surface. The white and bright components of the work of art shimmer with a silk gloss, however without any glare. Colors are bright and luminous, details are very clear, and you can truly perceive a matte appearance of the fine art print.

Evening at the Lock, Napanoch, New York created by the Impressionist painter Theodore Robinson as your own art replica

In 1893 Theodore Robinson created this impressionist artwork "Evening at the Lock, Napanoch, New York". The version of the piece of art was painted with the size: 22 x 32 in (55,9 x 81,3 cm) and was painted with the technique oil on canvas. This work of art belongs to the The Metropolitan Museum of Art's art collection. With courtesy of - The Metropolitan Museum of Art, New York, Gift of The Manoogian Foundation, 2011 (public domain). Creditline of the artwork: Gift of The Manoogian Foundation, 2011. The alignment of the digital reproduction is landscape and has a ratio of 3 : 2, which means that the length is 50% longer than the width. The painter Theodore Robinson was an artist, whose art style can be attributed mainly to Impressionism. The North American painter was born in the year 1852 in Irasburg, Orleans county, Vermont, United States and passed away at the age of 44 in 1896 in New York City, New York state, United States.

Legal disclaimer: We try everythig possible in order to describe our art products with as many details as possible and to showcase them visually in our shop. At the same time, some pigments of the print products and the printing can diverge marginally from the representation on the monitor. Depending on the screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version. Because all are processed and printed manually, there may also be slight differences in the motif's size and exact position.

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