Nicolas Froment, 1480 - The Pérussis Altarpiece - fine art print
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In-depth art product description
This classic art work of art was created by the male painter Nicolas Froment. The artpiece was painted with the size: Three panels, each 54 1/2 x 23 in (138,4 x 58,4 cm). Oil and gold on wood was used by the European artist as the technique for the artpiece. This piece of art can be viewed in in the The Metropolitan Museum of Art's digital collection. We are happy to reference that the work of art, which belongs to the public domain is included with courtesy of The Metropolitan Museum of Art, New York, Purchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1954. In addition, the artpiece has the following creditline: Purchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1954. Besides this, the alignment is landscape with an image ratio of 1.2 : 1, which implies that the length is 20% longer than the width. The painter Nicolas Froment was an artist from France, whose style can be classified as Northern Renaissance. The French artist lived for 24 years - born in the year 1460 and deceased in 1484.
General description as provided by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)
The subject of this large altarpiece, the adoration of the empty cross on Golgatha, is unusual. According to a documented inscription on the lost original frame, the painting was made in 1480 for Aloisius Rudolphe de Pérussis, whose family coat of arms and motto are displayed on the side panels. One of the kneeling donors, presented by John the Baptist and Saint Francis, may be Aloisius himself. Originally from Florence, the Pérussis or Peruzzi took refuge in Avignon after they were exiled by Cosimo de' Medici in 1434. Included in the background landscape is a faithful topographical view of Avignon.
Artwork details
Work of art name: | "The Pérussis Altarpiece" |
Categorization: | painting |
Generic term: | classic art |
Time: | 15th century |
Created: | 1480 |
Age of artwork: | over 540 years |
Painted on: | oil and gold on wood |
Original artwork size: | Three panels, each 54 1/2 x 23 in (138,4 x 58,4 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Museum's website: | The Metropolitan Museum of Art |
License type of artwork: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Purchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1954 |
Creditline of artwork: | Purchase, Mary Wetmore Shively Bequest, in memory of her husband, Henry L. Shively, M.D., 1954 |
The painter
Name of the artist: | Nicolas Froment |
Aliases: | Nicolas Froment, Froment, Froment Nicolas, Froment Nicholas |
Artist gender: | male |
Artist nationality: | French |
Jobs of the artist: | painter |
Home country: | France |
Classification of the artist: | old master |
Art styles: | Northern Renaissance |
Died aged: | 24 years |
Year born: | 1460 |
Year of death: | 1484 |
Choose your preferred art print material variant
For every product we offer a range of different materials & sizes. You can choose among the following product customization options:
- Acrylic glass print: An acrylic glass print, often described as a print on plexiglass, will convert the original work of art into stunning wall décor and offers a viable alternative option to canvas or aluminium dibond art prints. The artwork is custom-made thanks to the help of modern UV print technology. This makes impressive and rich color shades. The major upside of an acrylic glass print is that contrasts plus minor painting details will be exposed due to the granular tonal gradation. The acrylic glass protects your chosen art print against light and heat for many years to come.
- The canvas print: The printed canvas material stretched on a wooden stretcher frame. A printed canvas creates a soft and warm effect. Canvas Prints have the advantage of being low in weight. This means, it is quite simple to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
- Aluminium dibond print: An Aluminium Dibond print is a print with an outstanding effect of depth.
- Poster (canvas material): The Artprinta poster is a UV printed canvas paper with a nice texture on the surface, which resembles the actual artwork. The poster print is used for placing the art replica with a custom-made frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the print, which facilitates the framing with your custom frame.
Structured product details
Article classification: | art print |
Reproduction: | digital reproduction |
Production technique: | digital printing (UV direct print) |
Production: | made in Germany |
Stock type: | on demand production |
Proposed product use: | art collection (reproductions), art print gallery |
Orientation of the artwork: | landscape alignment |
Image aspect ratio: | (length : width) 1.2 : 1 |
Image ratio interpretation: | the length is 20% longer than the width |
Available variants: | canvas print, metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) variants: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Acrylic glass print (with real glass coating) size options: | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Poster print (canvas paper) size options: | 60x50cm - 24x20", 120x100cm - 47x39" |
Aluminium dibond print options: | 60x50cm - 24x20", 120x100cm - 47x39" |
Art print framing: | without frame |
Legal note: We try our best in order to describe the products as accurate as possible and to illustrate them visually. At the same time, the pigments of the printed materials, as well as the print result might diverge slightly from the representation on your device's screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed 100% realistically. Since all the are processed and printed by hand, there might also be minor variations in the motif's exact position and the size.
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