Francesco Maffei, 1657 - Hagar and the Angel - fine art print
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Product data
The artpiece named Hagar and the Angel was created by Francesco Maffei in 1657. The 360 year old version of the masterpiece had the following size of 41 3/4 x 54 in (106 x 137,2 cm) and was crafted with the technique of oil on canvas. Nowadays, the piece of art is included in the digital art collection of The Metropolitan Museum of Art in New York City, New York, United States of America. With courtesy of - The Metropolitan Museum of Art, New York, Bequest of Anna Mont, in memory of Frederick Mont, 2010 (public domain). Furthermore, the artpiece has the creditline: Bequest of Anna Mont, in memory of Frederick Mont, 2010. In addition to this, the alignment is landscape with a ratio of 4 : 3, meaning that the length is 33% longer than the width. The painter Francesco Maffei was a European artist, whose art style can primarily be attributed to Baroque. The European painter was born in 1605 in Venice, Venezia province, Veneto, Italy and passed away at the age of 55 in 1660.
Supplemental information from The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - www.metmuseum.org)
Maffei, who lived and worked in the cities of Vicenza and Padua, was profoundly influenced by the art of Bassano, Tintoretto, and Veronese, his Venetian predecessors. His style is characteristic for its elegance, far removed from realism. This scene from the Biblical book of Genesis shows the angel appearing to Hagar. Having been banished by Abraham to the desert with her infant Ishmael, she is saved by a heavenly creature who directs her to a spring of water.
Artwork background information
Piece of art name: | "Hagar and the Angel" |
Artwork categorization: | painting |
Art classification: | classic art |
Temporal classification: | 17th century |
Artwork year: | 1657 |
Artwork age: | over 360 years |
Original medium: | oil on canvas |
Original artwork size: | 41 3/4 x 54 in (106 x 137,2 cm) |
Museum: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Museum's web page: | The Metropolitan Museum of Art |
License of artwork: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Bequest of Anna Mont, in memory of Frederick Mont, 2010 |
Creditline: | Bequest of Anna Mont, in memory of Frederick Mont, 2010 |
Brief overview of the artist
Artist name: | Francesco Maffei |
Other names: | Maffei, Maffei di Vicenza, Francesco Maffei di Vicenza, Maffei vicentino, Francesco Maffei, Mafei, Maffei Francesco, Francesco Mafei da Vicenza |
Artist gender: | male |
Nationality of artist: | Italian |
Jobs: | painter |
Country: | Italy |
Artist classification: | old master |
Art styles: | Baroque |
Life span: | 55 years |
Birth year: | 1605 |
Hometown: | Venice, Venezia province, Veneto, Italy |
Year of death: | 1660 |
Died in (place): | Padua, Padova province, Veneto, Italy |
Product materials you can choose from
We offer a range of different materials and sizes for every product. We allow yout to choose among the following variants:
- Canvas: The printed canvas, not to be confused with an artwork painted on a canvas, is an image printed from a UV direct printer. It makes a plastic look of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang up the Canvas print without any wall-mounts. Canvas prints are suitable for all kinds of walls.
- Printed poster on canvas material: A poster print is a printed canvas paper with a slightly rough texture on the surface. It is suited for framing your art print with the help of a custom frame. Please note, that depending on the size of the poster print we add a white margin between 2-6cm around the painting in order to facilitate the framing with your custom frame.
- Aluminium dibond (metal print): These are metal prints on aluminium dibond material with an outstanding depth effect. A direct Aluminium Dibond Print is the excellent start to art reproductions on aluminum. This UV print on aluminium is one of the most demanded entry-level products and is a truly sophisticated way to showcase art reproductions, because it draws attention on the replica of the artwork.
- Acrylic glass print (with real glass coating): The acrylic glass print, often referred to as a an art print on plexiglass, transforms the original work of art into beautiful décor. Your favorite artwork is printed with the help of modern UV printing machines. It makes rich and impressive color shades. With an acrylic glass fine art print sharp contrasts as well as minor color details become more recognizeable thanks to the subtle gradation of the print. The plexiglass with real glass coating protects your chosen art replica against light and heat for many years to come.
The product specs
Print categorization: | wall art |
Reproduction: | reproduction in digital format |
Manufacturing process: | digital printing (UV direct print) |
Product Origin: | Germany |
Type of stock: | on demand production |
Product use: | art collection (reproductions), wall décor |
Alignment: | landscape format |
Side ratio: | (length : width) 4 : 3 |
Meaning: | the length is 33% longer than the width |
Available variants: | canvas print, acrylic glass print (with real glass coating), metal print (aluminium dibond), poster print (canvas paper) |
Canvas on stretcher frame (canvas print) size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating) size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Poster print (canvas paper) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print (aluminium material) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Frame: | please consider that this reproduction does not have a frame |
Important legal note: We try whatever we can to depict our products in as much detail as possible and to display them visually in our shop. Please bear in mind that the tone of the printed materials and the printing might diverge to a certain extent from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed as exactly as the digital version. Given that all the fine art prints are processed and printed manually, there might as well be slight discrepancies in the motif's exact position and the size.
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