Georges Seurat, 1884 - Oil Sketch forLa Grande Jatte - fine art print
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Details
Oil Sketch forLa Grande Jatte is a piece of art created by the male painter Georges Seurat. The original has the following size of 6 1/8 × 9 9/16 in (15,5 × 24,3 cm) and was manufactured with the technique oil on panel. This work of art is part of the digital art collection of Art Institute Chicago. This artpiece, which is in the public domain is provided with courtesy of Art Institute Chicago. Also, the artwork has the following creditline: Gift of Mary and Leigh Block. In addition to this, the alignment is in landscape format and has an image ratio of 3 : 2, which implies that the length is 50% longer than the width. Georges Seurat was a male painter, drawer, whose art style was primarily Pointillism. The artist lived for 32 years and was born in the year 1859 in Paris, Ile-de-France, France and died in 1891.
Selectable materials
In the product dropdown selection you can choose your favorite material and size. In order match your personal requirements perfectly, you can choose among the following product customization options:
- Acrylic glass print: An print on acrylic glass, which is sometimes referenced as a UV print on plexiglass, makes your favorite artwork into lovely wall décor. The artwork is being made with modern UV printing machines. It creates deep and vivid colors. The plexiglass protects your selected fine art print against light and external influences for between 40-60 years.
- The canvas print: A canvas print, which should not be mistaken with an artwork painted on a canvas, is a digital copy printed on a UV direct printer. A canvas has a extra effect of three dimensionality. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without the support of any wall-mounts. That is why, a canvas print is suitable for any type of wall.
- Aluminium dibond: An Aluminium Dibond print is a print material with a true depth. A direct Direct Print on Aluminum Dibond is the excellent start to art reproductions with aluminum. The white and bright parts of the original artwork shine with a silky gloss but without the glow.
- The poster print (canvas material): Our poster is a printed canvas with a slightly roughened finish on the surface, which reminds the original version of the masterpiece. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6cm round about the print motif in order to facilitate the framing with a custom frame.
Legal note: We try everythig possible to describe the products as exact as we can and to demonstrate them visually. Please bear in mind that the tone of the printing material, as well as the printing can vary somehwat from the image on the monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as realisitcally as the digital version on this website. Bearing in mind that all art prints are printed and processed manually, there may as well be minor differences in the exact position and the size of the motif.
Product information
Product type: | art print |
Reproduction method: | digital reproduction |
Manufacturing process: | digital printing (UV direct print) |
Manufacturing: | manufactured in Germany |
Type of stock: | production on demand |
Proposed product use: | art collection (reproductions), art reproduction gallery |
Alignment of the artwork: | landscape alignment |
Aspect ratio: | 3 : 2 |
Aspect ratio meaning: | the length is 50% longer than the width |
Materials you can choose from: | acrylic glass print (with real glass coating), poster print (canvas paper), canvas print, metal print (aluminium dibond) |
Canvas print (canvas on stretcher frame): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (with real glass coating) options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Poster print (canvas paper) variants: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Dibond print (alumnium material) variants: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Art print framing: | please note that this product is not framed |
Structured table of the work of art
Title of the artwork: | "Oil Sketch forLa Grande Jatte" |
Categorization of the artpiece: | painting |
General term: | modern art |
Century: | 19th century |
Created in: | 1884 |
Age of artwork: | around 130 years old |
Artwork original medium: | oil on panel |
Original dimensions: | 6 1/8 × 9 9/16 in (15,5 × 24,3 cm) |
Museum: | Art Institute Chicago |
Museum location: | Chicago, Illinois, United States of America |
web page of Museum: | www.artic.edu |
License of artwork: | public domain |
Courtesy of: | Art Institute Chicago |
Artwork creditline: | Gift of Mary and Leigh Block |
Background information on the artist
Name of the artist: | Georges Seurat |
Other names: | Sera Zhorzh, Georges Pierre Seurat, Seurat Georges Pierre, Seurat Georges-Pierre, Seurat, geo seurat, Seurat Georges, Seurat George Pierre, Georges-Pierre Seurat, סרא ז׳ורז׳, g. seurat, geo. seurat, Georges Seurat, seurat geo., Hsiu-la |
Artist gender: | male |
Nationality of artist: | French |
Professions of the artist: | drawer, painter |
Country of origin: | France |
Classification: | modern artist |
Art styles: | Pointillism |
Age at death: | 32 years |
Birth year: | 1859 |
Birthplace: | Paris, Ile-de-France, France |
Died: | 1891 |
Place of death: | Paris, Ile-de-France, France |
This text is copyrighted © | www.artprinta.com (Artprinta)
General description as provided by the museum (© - Art Institute Chicago - Art Institute Chicago)
This small oil on a thin wood panel is one of 24 painted studies Georges Seurat made while conceiving the large, celebrated painting A Sunday on La Grande Jatte. Although at first glance, the panel seems close to the larger canvas, its 20 or more figures have little to do with the final composition. The trio at right, for example, with the elderly seated figure, was completely rethought in the final composition, in which a man in a top hat and a woman walking a monkey convey a sense of grand solemnity and wry humor—a sophisticated irony that is completely absent in the clumsily positioned figures of the oil panel.