Piero di Cosimo, 1482 - Posthumous Portrait of Francesco Giamberti (1405-c.1482), Father of Giuliano da Sangallo - fine art print

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• Acrylic glass print (with real glass coating): An print on acrylic glass, which is sometimes labelled as a print on plexiglass, makes the original work of art into great home décor and forms a distinct alternative to aluminium and canvas prints. With an acrylic glass art print sharp contrasts and minor painting details become more recognizeable because of the fine tonal gradation.
• Poster print (canvas material): The poster is a UV printed flat canvas paper with a fine texture on the surface. A poster print is excellently suited for putting the art replica in a customized frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm round about the print, which facilitates the framing with a custom frame.
• The canvas print: A canvas direct print is a printed canvas stretched on a wooden stretcher. A canvas produces a exclusive impression of three-dimensionality. How do I hang a canvas on the wall? A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang the Canvas print without the use of extra wall-mounts. Hence, canvas prints are suitable for any type of wall.
• Aluminium print (aluminium dibond): This is a metal print manufactured on aluminium dibond with a true effect of depth. A direct Direct Print on Aluminum Dibond is your best introduction to fine art reproductions with aluminum. The colors are luminous in the highest definition, the details are clear and crisp, and you can notice a matte appearance of the print. This print on Aluminum Dibond is the most popular entry-level product and is an extremely sophisticated way to display fine art prints, because it puts all of the viewer’s focus on the image.

Important legal note: We try whatever we can to describe our art products with as many details as possible and to demonstrate them visually on the different product detail pages. Nonetheless, the colors of the print materials, as well as the print result can vary slightly from the image on your monitor. Depending on the screen settings and the quality of the surface, color pigments may not be printed as realistically as the digital version shown here. Considering that all the are processed and printed by hand, there might as well be minor discrepancies in the motif's exact position and the size.

Artwork information from the museum (© Copyright - by Mauritshuis - Mauritshuis)

Francesco da San Gallo, Florence, until 1567; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1367), since 1948

Summary of the replica

Posthumous Portrait of Francesco Giamberti (1405-c.1482), Father of Giuliano da Sangallo is an artpiece created by the early renaissance Italian painter Piero di Cosimo. The original measures the size: height: 47,5 cm width: 33,7 cm | height: 18,7 in width: 13,3 in. Oil on panel was used by the European painter as the medium of the artwork. Nowadays, this artwork is included in the Mauritshuis's digital art collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The public domain masterpiece is being included with courtesy of Mauritshuis, The Hague. Creditline of the artwork: Francesco da San Gallo, Florence, until 1567; King James II, London, until 1688; King-Stadholder William III, London, after 1688; Het Loo Palace, Apeldoorn; Prince William V, The Hague, until 1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1367), since 1948. The alignment of the digital reproduction is in portrait format and has a ratio of 1 : 1.4, which means that the length is 29% shorter than the width. The painter Piero di Cosimo was an artist from Italy, whose art style was primarily Early Renaissance. The Early Renaissance painter was born in 1461 in Florence, Firenze province, Tuscany, Italy and deceased at the age of 60 in the year 1521 in Florence, Firenze province, Tuscany, Italy.

Structured details of the piece of art

Structured article information

About the painter

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