This classic art work of art named "Madonna and Child" was created by the Italian artist Vincenzo Foppa in 1480. The masterpiece had the following size: 17 1/4 x 12 5/8 in (43,8 x 32,1 cm). Tempera, oil, and gold on wood was used by the artist as the medium of the masterpiece. It is part of the The Metropolitan Museum of Art's art collection. The classic art public domain artwork is being supplied with courtesy of The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. Creditline of the artwork: Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915. Furthermore, alignment of the digital reproduction is portrait with a ratio of 3 : 4, meaning that the length is 25% shorter than the width. The painter Vincenzo Foppa was an artist from Italy, whose art style was primarily Early Renaissance. The European artist was born in 1456 and deceased at the age of 60 in 1516 in Brescia, Brescia province, Lombardy, Italy.
Supplemental information by The Metropolitan Museum of Art (© - by The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Foppa was the founder of Renaissance painting in Milan, where he worked for the dukes. In addition to major fresco cycles and altarpieces, he also painted touching images of the Madonna and Child for private devotion. This one dates to about 1480 and shows the Madonna and Child before a rose hedge—the Madonna was sometimes referred to as the "rose without thorns" (i.e., without sin). The finely drawn hands and gray flesh tones are typical of Foppa’s work, as is the delicate modeling with gold.
Background information on the artwork
Title of the painting: | "Madonna and Child" |
Categorization of the artpiece: | painting |
Category: | classic art |
Period: | 15th century |
Created in the year: | 1480 |
Approximate age of artwork: | around 540 years |
Artwork original medium: | tempera, oil, and gold on wood |
Original size: | 17 1/4 x 12 5/8 in (43,8 x 32,1 cm) |
Museum / location: | The Metropolitan Museum of Art |
Place of museum: | New York City, New York, United States of America |
Available at: | The Metropolitan Museum of Art |
Artwork license type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 |
Creditline: | Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 |
Structured artist data
Name: | Vincenzo Foppa |
Additional names: | Foppa Vincenzo da Brescia, Vincenzio Foppa, Foppa, Vincenzo Foppa, Foppa Vincenzo, vinc. foppa |
Gender: | male |
Artist nationality: | Italian |
Jobs of the artist: | painter |
Home country: | Italy |
Artist category: | old master |
Art styles: | Early Renaissance |
Age at death: | 60 years |
Birth year: | 1456 |
Died in the year: | 1516 |
Died in (place): | Brescia, Brescia province, Lombardy, Italy |
Obtain your desired fine art print material
The product dropdown menu provides you with the opportunity to choose your favorite material and size. You can choose your your favorite size and material among the following options:
- Printed poster (canvas material): Our poster print is a printed sheet of canvas paper with a granular surface finish, that resembles the original artwork. Please bear in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing with a custom frame.
- Canvas: A canvas print, not to be mistaken with a painting on a canvas, is a digital image printed on an industrial printing machine. The printed canvas creates a cosy and enjoyable atmosphere. Canvas Prints have the advantage of being relatively low in weight. This means, it is quite simple to hang your Canvas print without the help of additional wall-mounts. Hence, a canvas print is suited for all types of walls.
- Aluminium dibond print (metal): An Aluminium Dibond print is a material with an impressive depth, which creates a fashionable impression by having a surface structure, which is non-reflective. A direct Direct Print on Aluminum Dibond is your best start to reproductions with aluminum. For the Aluminium Dibond option, we print your selected work of art right onto the aluminium surface. The white and bright parts of the artwork shimmer with a silky gloss but without glow.
- Printed acrylic glass (with real glass coating on top): A glossy acrylic glass print, which is often referenced as a plexiglass print, will convert the original into marvellous home decoration. Furthermore, it forms a viable alternative option to dibond or canvas prints. The plexiglass protects your chosen fine art print against light and heat for up to 6 decades.
Structured item information
Product type: | art print |
Method of reproduction: | reproduction in digital format |
Manufaturing technique: | UV print / digital printing |
Production: | Germany |
Stock type: | on demand production |
Product use: | wall décor, home design |
Orientation of the artwork: | portrait format |
Aspect ratio: | 3 : 4 |
Interpretation of aspect ratio: | the length is 25% shorter than the width |
Available material choices: | metal print (aluminium dibond), poster print (canvas paper), canvas print, acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (with real glass coating) sizes: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Poster print (canvas paper): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Aluminium dibond print (aluminium material) options: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Art print framing: | please note that this reproduction has no frame |
Legal note: We try our utmost to describe the products with as many details as possible and to exhibit them visually on the various product detail pages. Nonetheless, the tone of the print materials and the printing might vary slightly from the representation on the screen. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed one hundret percent realistically. Given that all the art prints are processed and printed by hand, there might as well be slight deviations in the motif's size and exact position.
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