Original information about the artwork by the museum (© - by Belvedere - Belvedere)
The sitter was born 1804 in Česká Lípa (Česká Lipa). She was the daughter of Ernest Proch, an administrative official and the eldest daughter of the famous musician Vinzenz Maschek (1755 - 1831) from Prague. Friederike's younger brother Heinrich Proch (1809 -?), Violinist and composer, the most successful students of the composer and music teacher Joseph Benes was. Joseph and Friederike probably married Friederike 1828. Benesch was a very successful pianist, teacher and composer. - [Friendly message from Maruša Zupančič, Institute of Musicology, Slovenian Academy of Science and Arts_SG]
Work of art specs
Artwork title: | "Friederike Benesch" |
Categorization of the artpiece: | painting |
Broad category: | modern art |
Time: | 19th century |
Created in the year: | 1840 |
Age of artwork: | 180 years |
Original medium: | oil on canvas |
Original size: | 126,5 x 94,5 cm - frame size: 147 x 117 x 10 cm |
Original artwork signature: | signed and dated lower left: Ed. Ender / 1840 |
Museum / location: | Belvedere |
Place of the museum: | Vienna, Austria |
Website Museum: | www.belvedere.at |
Artwork license: | public domain |
Courtesy of: | © Belvedere, Vienna, inventory number: 5172 |
Creditline of artwork: | dedication Louise Benes, Vienna in 1957 |
Artist table
Artist: | Eduard Ender |
Also known as: | e. ender, ender e., Ed. Ender, Edouard Ender, Ender Eduard, ender eduard, Eduard Ender |
Gender: | male |
Nationality of artist: | Austrian |
Jobs of the artist: | painter |
Country of the artist: | Austria |
Classification of the artist: | modern artist |
Styles: | Historicism |
Died aged: | 61 years |
Year of birth: | 1822 |
Birthplace: | Rome |
Died: | 1883 |
Deceased in (place): | London |
The product
Article classification: | art copy |
Reproduction: | digital reproduction |
Production technique: | digital printing |
Production: | made in Germany |
Stock type: | on demand |
Intended product usage: | wall picture, art print gallery |
Alignment: | portrait alignment |
Aspect ratio: | length to width 3 : 4 |
Interpretation: | the length is 25% shorter than the width |
Fabric variants: | canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating) |
Canvas print (canvas on stretcher frame) sizes: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Acrylic glass print (with real glass coating) size variants: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Poster print (canvas paper): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Aluminium print sizes: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Frame: | not included |
Order your desired material
In the product dropdown selection you can pick your prefered size and material. Pick your preferred material and size between the subsequent options:
- Aluminium dibond (metal print): These are metal prints on alu dibond with an outstanding depth effect - for a modern look and a non-reflective surface. A direct Direct Print on Aluminum Dibond is your excellent introduction to fine art replicas manufactured on aluminum. For your Aluminium Dibond print, we print your selected artwork on the aluminium surface. The white & bright sections of the artpiece shine with a silky gloss, however without any glow. The colors of the print are luminous and vivid, the fine details of the print appear clear and crisp. The UV print on Aluminum Dibond is the most popular entry-level product and is a truly contemporary way to showcase art prints, as it draws focus on the replica of the artwork.
- Canvas: A canvas print is a printed cotton canvas mounted on a wood stretcher. It creates the distinctive effect of three-dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up your Canvas print without the use of additional wall-mounts. That is why, a canvas print is suitable for any type of wall.
- Poster print (canvas material): The Artprinta poster is a printed sheet of flat cotton canvas paper with a granular texture on the surface. A printed poster is suited for putting your fine art print with the help of a custom-made frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2 - 6cm round about the print, which facilitates the framing with your custom frame.
- Printed acrylic glass (with real glass coating): The print on acrylic glass, which is often described as a plexiglass print, makes the original work of art into marvellous wall décor. In addition to that, the acrylic glass art print offers a distinct alternative to aluminium and canvas fine art prints. Your favorite artwork is custom-made with state-of-the-art UV direct printing machines. This has the image effect of deep, vivid colors.
"Friederike Benesch" was made by Eduard Ender in the year 1840. The beyond 180 year old original was made with the size: 126,5 x 94,5 cm - frame size: 147 x 117 x 10 cm and was manufactured with the medium oil on canvas. The original artwork's inscription is the following: "signed and dated lower left: Ed. Ender / 1840". This artpiece is part of the Belvedere's digital art collection, which is located in Vienna, Austria. With courtesy of: © Belvedere, Vienna, inventory number: 5172 (public domain). The creditline of the artpiece is the following: dedication Louise Benes, Vienna in 1957. In addition to this, the alignment is in portrait format with a ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Eduard Ender was an artist, whose art style can primarily be classified as Historicism. The Austrian artist was born in the year 1822 in Rome and passed away at the age of 61 in the year 1883.
Disclaimer: We try all that we can in order to depict the products as accurately as possible and to display them visually on the different product detail pages. Although, the tone of the printed materials and the imprint might diverge somehwat from the presentation on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed as realistically as the digital version. Since the are processed and printed manually, there may as well be minor discrepancies in the exact position and the size of the motif.
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