Supplemental information from the museum (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)
Though this scene convincingly captures a moment in rural life, its inspiration lay in the political maneuvering surrounding the hard-fought presidential election of 1840. The image of down-home simplicity embodied by the cider makers was evoked by the Whig candidate, William Henry Harrison, promoted as a common man who preferred a log cabin and hard cider to the supposed excesses of the Democratic White House of Martin Van Buren. The work was commissioned by the prominent New York businessman and Whig leader Charles Augustus Davis. Davis was the creator of the folksy "Jack Downing" character, whose musings broadened Whig appeal through attacks on the disastrous Jacksonian financial policies responsible for the Panic of 1837. Mount, a conservative Democrat who opposed the populist Jackson, punctuated his painting with details, such as the prominently dated cider barrel, possibly intended to allude to the larger political context. In 1841, a Whig journalist wove the references into an anecdote in the "New York American" ripe with political insinuations and double meanings. Probably with greater specificity than the artist intended, he likened each figure to a character or interest group in the election. It is likely that Mount's motives included both subtle political concerns and a commitment to the transcription of visual data gleaned directly from his rural surroundings. The cider mill immortalized here stood in Setauket, Long Island, until the early twentieth century.
Background data on the original artpiece
Artwork title: | "Cider Making" |
Classification: | painting |
General term: | modern art |
Time: | 19th century |
Created in: | 1840 |
Age of artwork: | more than 180 years |
Original medium: | oil on canvas |
Size of the original artwork: | 27 x 34 1/8 in (68,6 x 86,7 cm) |
Museum / location: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Web URL: | The Metropolitan Museum of Art |
License type: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, Purchase, Bequest of Charles Allen Munn, by exchange, 1966 |
Creditline: | Purchase, Bequest of Charles Allen Munn, by exchange, 1966 |
Short overview of the artist
Name of the artist: | William Sidney Mount |
Additional names: | William Sidney Mount, Mount, Mount William Sidney, mount william sydney, Mount William S., william s. mount |
Gender of the artist: | male |
Nationality: | American |
Jobs: | painter |
Country of origin: | United States |
Classification: | modern artist |
Lifetime: | 61 years |
Birth year: | 1807 |
Birthplace: | Setauket, Suffolk county, New York state, United States |
Year of death: | 1868 |
Deceased in (place): | Setauket, Suffolk county, New York state, United States |
The product specifications
Product classification: | art copy |
Reproduction method: | digital reproduction |
Production method: | UV direct printing (digital print) |
Provenance: | German-made |
Stock type: | on demand |
Product usage: | home design, art collection (reproductions) |
Orientation of the artwork: | landscape alignment |
Side ratio: | 4 : 3 - length : width |
Image aspect ratio meaning: | the length is 33% longer than the width |
Item material variants: | canvas print, acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond) |
Canvas on stretcher frame (canvas print) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Poster print (canvas paper) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium print (aluminium dibond material) sizes: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Picture frame: | no frame |
Possible product material choices
In the dropdown lists right next to the article you can select your favorite size and material. Hence, we allow you to choose among the following options:
- Aluminium dibond (metal print): This is a metal print made on aluminium dibond material with an outstanding depth effect.
- Printed poster (canvas material): The poster is a UV printed canvas with a slightly roughened texture on the surface. It is perfectly qualified for placing your art print in a custom frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6 cm around the print motif, which facilitates the framing with a custom frame.
- Print on glossy acrylic glass: An acrylic glass print, which is often named as a UV print on plexiglass, transforms your artwork into stunning home décor and makes a good alternative to canvas and aluminidum dibond art prints. The major benefit of a plexiglass print is that sharp contrasts plus granular details will be recognizeable due to the delicate tonal gradation of the print. Our plexiglass with real glass coating protects your chosen fine art print against light and heat for many more years to come.
- Canvas: The canvas print, which should not be confused with a canvas painting, is a digital replica applied on a cotton canvas. Your printed canvas of this artpiece will provide you with the unique opportunity to turn your art print into a large collection piece as you know from art galleries. Canvas Prints have the advantage of being low in weight, which implies that it is easy to hang up the Canvas print without any wall-mounts. Because of thatcanvas prints are suited for any kind of wall.
The article
This 19th century painting "Cider Making" was painted by the male American artist William Sidney Mount in 1840. The over 180 year old original creation had the following size: 27 x 34 1/8 in (68,6 x 86,7 cm). Oil on canvas was applied by the North American artist as the technique for the artpiece. It is in the the digital art collection of The Metropolitan Museum of Art. With courtesy of The Metropolitan Museum of Art, New York, Purchase, Bequest of Charles Allen Munn, by exchange, 1966 (license: public domain). Creditline of the artwork: Purchase, Bequest of Charles Allen Munn, by exchange, 1966. Furthermore, alignment is landscape with a side ratio of 4 : 3, which means that the length is 33% longer than the width.
Legal disclaimer: We try in order to describe our products as clearly as possible and to demonstrate them visually on the respective product detail pages. Nonetheless, the pigments of the printed materials and the print result may diverge to a certain extent from the representation on the screen. Depending on your screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version depicted here. Because all our art reproductions are processed and printed manually, there may as well be slight deviations in the size and exact position of the motif.
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