Thomas Cole, 1830 - Distant View of Niagara Falls - fine art print
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(© - Art Institute Chicago - www.artic.edu)
In mid-nineteenth-century America, a love of the sublime landscape, which inspired in viewers an awe of nature and a sense of the nation’s special status, was felt nowhere more powerfully than at Niagara Falls, New York, by far the most frequently depicted and visited natural attraction in the United States. Thomas Cole, founder of the Hudson River School of landscape painting, visited Niagara Falls for the first time in May 1829. He sketched the falls, writing of his experience there, “I anticipated much—but the grandeur of the falls far exceeds anything I had been told of them—I am astonished that there have been no good pictures of them—I think the subject a sublime one.”
The painting titled "Distant View of Niagara Falls" as an art print
This painting was painted by the male painter Thomas Cole in 1830. The more than 190 year old original was made with the size of 47,9 × 60,6 cm (18 7/8 × 23 7/8 in) and was crafted on the medium oil on panel. The original artpiece has the following text as inscrption: "signed, lower right: "Thomas Cole / 1830"". Besides, the artpiece is in the the Art Institute Chicago's collection located in Chicago, Illinois, United States of America. The modern art public domain artwork is included with courtesy of Art Institute Chicago. Creditline of the artwork: Friends of American Art Collection. Further, the alignment of the digital reproduction is landscape with an aspect ratio of 4 : 3, which implies that the length is 33% longer than the width. Thomas Cole was a painter from United States, whose art style can be attributed primarily to Romanticism. The painter was born in 1801 in Lancashire, England, United Kingdom, county and died at the age of 47 in 1848.
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- Acrylic glass print (with real glass coating): A glossy acrylic glass print, which is sometimes described as a print on plexiglass, changes your favorite original into amazing wall decoration. Your favorite artwork will be custom-made with state-of-the-art UV direct print technology. This creates the impression of deep and vivid color tones.
- Canvas print: The printed canvas mounted on a wooden stretcher frame. It makes the extra impression of three dimensionality. A canvas print of this masterpiece will allow you to transform your fine art print into a large size work of art as you know from art galleries. Hanging a canvas print: The advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suitable for any kind of wall.
- The poster print (canvas material): The Artprinta poster print is a printed flat canvas paper with a fine surface finish. The poster print is best suited for framing your art replica in a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with your custom frame.
- Aluminium dibond print (metal): An Aluminium Dibond print is a print with a true depth effect - for a modern look and non-reflective surface. The colors are luminous in the highest definition, the fine details of the print appear clear and crisp, and you can notice a matte appearance of the fine art print.
Artist overview table
Artist: | Thomas Cole |
Other artist names: | Cole T., Cole Thomas, Thomas Cole, Cole |
Gender: | male |
Nationality: | American |
Professions: | painter |
Country: | United States |
Artist category: | modern artist |
Styles: | Romanticism |
Lifetime: | 47 years |
Born: | 1801 |
City of birth: | Lancashire, England, United Kingdom, county |
Year died: | 1848 |
Deceased in (place): | Catskill, Greene county, New York state, United States |
Background information about the piece of art
Title of the piece of art: | "Distant View of Niagara Falls" |
Categorization of the work of art: | painting |
Generic term: | modern art |
Temporal classification: | 19th century |
Created in: | 1830 |
Approximate age of artwork: | around 190 years old |
Original medium: | oil on panel |
Original size: | 47,9 × 60,6 cm (18 7/8 × 23 7/8 in) |
Artwork original signature: | signed, lower right: "Thomas Cole / 1830" |
Museum: | Art Institute Chicago |
Museum location: | Chicago, Illinois, United States of America |
Museum's webpage: | Art Institute Chicago |
License: | public domain |
Courtesy of: | Art Institute Chicago |
Artwork creditline: | Friends of American Art Collection |
Structured article details
Print prodct: | wall art |
Method of reproduction: | reproduction in digital format |
Manufacturing method: | digital printing |
Origin of the product: | made in Germany |
Type of stock: | production on demand |
Intended product use: | home décor, art reproduction gallery |
Orientation: | landscape format |
Image ratio: | 4 : 3 |
Image ratio meaning: | the length is 33% longer than the width |
Available product materials: | canvas print, metal print (aluminium dibond), poster print (canvas paper), acrylic glass print (with real glass coating) |
Canvas on stretcher frame (canvas print) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (with real glass coating) size variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Poster print (canvas paper) size options: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Aluminium dibond print (aluminium material) variants: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Framing of the art reproduction: | without frame |
Legal disclaimer: We try what we can in order to depict our products with as many details as possible and to display them visually on the various product detail pages. Please bear in mind that the tone of the print products, as well as the print result can vary slightly from the presentation on the device's monitor. Depending on the screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version shown here. Given that all the are processed and printed by hand, there might as well be slight deviations in the size and exact position of the motif.
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