Johannes Lingelbach - The Departure of Charles II (1630-1685) from Scheveningen, 2 June 1660 - fine art print

the male painter Johannes Lingelbach painted the baroque masterpiece with the title The Departure of Charles II (1630-1685) from Scheveningen, 2 June 1660. The original measures the exact dimensions height: 58,5 cm width: 99,2 cm | height: 23 in width: 39,1 in. Oil on canvas was used by the Dutch painter as the technique for the artpiece. Signed: I. Lingelbach was the artwork's original inscription. Moveover, this artwork forms part of the Mauritshuis's collection in The Hague, South Holland, Netherlands. With courtesy of: Mauritshuis, The Hague (public domain). Furthermore, the artwork has the following creditline: Jonas Witsen, Amsterdam, until 1717; Prince William V, Apeldoorn and The Hague, 1763-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1224), since 1933. Besides this, the alignment of the digital reproduction is landscape and has a side ratio of 16 : 9, meaning that the length is 78% longer than the width. The painter Johannes Lingelbach was an artist, whose art style can be classified as Baroque. The artist lived for 52 years and was born in 1622 in Frankfurt am Main, Hessen state, Germany and passed away in 1674 in Amsterdam, North Holland, Netherlands.

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• The acrylic glass print (with real glass coating): A glossy print on acrylic glass, which is often described as a an art print on plexiglass, will transform the artwork into beautiful home décor. The artwork is manufactured thanks to the help of state-of-the-art UV print technology. With an acrylic glass art print contrasts and smaller details become more exposed because of the very subtle tonal gradation. The acrylic glass protects your chosen art replica against sunlight and heat for many years.
• Canvas print: A printed canvas, which shall not be mistaken with a painting on a canvas, is a digital image printed from a UV direct printer. A canvas makes a special effect of three dimensionality. A canvas print has the advantage of being relatively low in weight. This means, it is easy to hang the Canvas print without additional wall-mounts. A canvas print is suited for any kind of wall.
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• Aluminium dibond print: An Aluminium Dibond print is a material with an impressive depth. Its non-reflective surface structure make a contemporary look. The Direct Print on Aluminum Dibond is your excellent introduction to replicas produced on aluminum. The bright and white parts of the artwork shimmer with a silky gloss, however without any glare. The colors of the print are luminous and bright in the highest definition, the details of the print appear crisp and clear.

Disclaimer: We try everythig possible in order to depict our art products as accurate as it is possible and to exhibit them visually on the various product detail pages. Still, the colors of the printed materials, as well as the imprint can vary somehwat from the presentation on the device's monitor. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed one hundret percent realistically. Given that the fine art prints are processed and printed manually, there might also be minor variations in the size and exact position of the motif.

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Original artwork specifications from the museum's website (© - Mauritshuis - Mauritshuis)

Jonas Witsen, Amsterdam, until 1717; Prince William V, Apeldoorn and The Hague, 1763-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1224), since 1933