Édouard Manet, 1864 - The Dead Christ with Angels - fine art print
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Description of the more than 150 year-old artpiece
This more than 150 year-old artpiece The Dead Christ with Angels was created by the male artist Édouard Manet in 1864. The beyond 150 year old original measures the size - 70 5/8 x 59 in (179,4 x 149,9 cm). Oil on canvas was applied by the French artist as the medium of the artwork. Moveover, the artpiece is included in the The Metropolitan Museum of Art's digital art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The modern art masterpiece, which is in the public domain is supplied with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. The creditline of the artpiece is: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. What is more, the alignment of the digital reproduction is portrait and has a ratio of 1 : 1.2, which means that the length is 20% shorter than the width. The painter Édouard Manet was an artist from France, whose artistic style can mainly be classified as Realism. The French painter lived for 51 years - born in the year 1832 and died in the year 1883.
General description by The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - The Metropolitan Museum of Art)
Manet identified the source for this painting, the first of several religious scenes, in the inscription on the rock: the Gospel according to Saint John. However, in the passage cited, Christ’s tomb is empty except for two angels. After Manet sent the canvas to the 1864 Salon, he realized that he had made an even greater departure from the text, depicting Christ’s wound on the wrong side. Despite Charles Baudelaire’s warning that he would "give the malicious something to laugh at," the artist did not correct his mistake. Critics indeed denounced the picture, particularly the realism of Christ’s cadaverous body.
Artwork specs
Name of the work of art: | "The Dead Christ with Angels" |
Categorization of the artpiece: | painting |
Broad category: | modern art |
Time: | 19th century |
Created: | 1864 |
Approximate age of artwork: | more than 150 years |
Original medium: | oil on canvas |
Original size: | 70 5/8 x 59 in (179,4 x 149,9 cm) |
Museum / collection: | The Metropolitan Museum of Art |
Museum location: | New York City, New York, United States of America |
Website of the museum: | The Metropolitan Museum of Art |
License of artwork: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 |
Creditline of artwork: | H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 |
Artist overview table
Artist: | Édouard Manet |
Gender: | male |
Nationality of artist: | French |
Jobs of the artist: | painter |
Country of origin: | France |
Artist category: | modern artist |
Art styles: | Realism |
Lifetime: | 51 years |
Born: | 1832 |
Year died: | 1883 |
Died in (place): | 8th arrondissement of Paris |
The product material options
The product dropdown menu gives you the possibility to pick your favorite size and material. You can choose among the following product customization options:
- Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with an outstanding depth effect. The white & bright parts of the original artwork shimmer with a silk gloss but without the glare. The colors are bright and luminous in the highest definition, the fine details of the print are clear and crisp, and you can perceive the matte appearance of the product. This direct print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art, since it puts 100% of the viewer’s focus on the replica of the artwork.
- Canvas print: A UV printed canvas applied on a wood stretcher frame. It produces a extra impression of three dimensionality. Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without the use of any wall-mounts. A canvas print is suited for all kinds of walls.
- Poster print (canvas material): The poster is a printed cotton canvas paper with a slightly roughened surface finish. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm around the painting in order to facilitate the framing.
- Acrylic glass print (with real glass coating): The acrylic glass print, which is sometimes referenced as a an art print on plexiglass, transforms the original artwork into décor. The major upside of a plexiglass print is that contrasts as well as minor artwork details become more exposed because of the fine tonal gradation.
Item details
Print prodct: | art copy |
Reproduction: | digital reproduction |
Production process: | UV direct printing |
Production: | German-made |
Type of stock: | production on demand |
Proposed product use: | home design, wall decoration |
Image alignment: | portrait alignment |
Aspect ratio: | 1 : 1.2 |
Side ratio implication: | the length is 20% shorter than the width |
Materials available: | acrylic glass print (with real glass coating), poster print (canvas paper), metal print (aluminium dibond), canvas print |
Canvas on stretcher frame (canvas print) variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (with real glass coating): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Poster print (canvas paper) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium print (aluminium dibond material) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
Picture frame: | without frame |
Important legal note: We try everything to describe our products as closely as it is possible and to display them visually in our shop. Nonetheless, the colors of the printed materials, as well as the print result can vary to a certain extent from the image on your device's monitor. Depending on the screen settings and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Because all art reproductions are printed and processed manually, there might also be slight deviations in the motif's exact position and the size.
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