Article description
This over 190 year-old work of art was created by the male artist Camille Corot. The original had the size: 10 1/2 x 12 1/8 in (26,7 x 30,8 cm) and was made with the technique of oil on paper, laid down on wood. The artpiece is in the the The Metropolitan Museum of Art's digital art collection in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003 (public domain). : The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003. Besides, the alignment of the digital reproduction is landscape with a ratio of 1.2 : 1, meaning that the length is 20% longer than the width. The painter Camille Corot was an artist, whose art style can be attributed mainly to Realism. The European artist lived for 79 years and was born in the year 1796 and deceased in the year 1875.
Which would be your preferred material?
In the dropdown menu right next to the product offering you can pick a material and a sizeaccording to your personal preferences. You can choose among the following product customization options:
- Aluminium dibond (metal print): Aluminium Dibond prints are prints on metal with a true depth - for a modern impression and a non-reflective surface. A direct Aluminium Dibond Print is the best start to replicas on aluminum. For your Print On Aluminum Dibond, we print your artpiece on the surface of the aluminum material. The bright parts of the artpiece shimmer with a silk gloss, however without the glare. The colors are bright and luminous, fine details appear crisp and clear, and there’s a matte appearance you can literally feel.
- The acrylic glass print (with real glass coating): The print on acrylic glass, which is sometimes named as a plexiglass print, transforms the original work of art into beautiful décor. Your own replica of the work of art is being custom-made thanks to modern UV direct print technology. It creates stunning, intense color shades. With an acrylic glass fine art print contrasts plus artwork details will be more exposed thanks to the precise tonal gradation. The real glass coating protects your selected art print against sunlight and heat for many years to come.
- Poster on canvas material: A poster is a printed sheet of flat canvas with a fine surface texture. It is used for placing your fine art print using a personal frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
- Canvas print: A printed canvas material applied on a wooden stretcher frame. It makes a particular look of three dimensionality. A printed canvas of your favorite artpiece will let you turn your into a large work of art. The advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Therefore, a canvas print is suitable for all kinds of walls in your home.
Legal disclaimer: We try whatever we can in order to depict the products as precisely as possible and to illustrate them visually. Please keep in mind that the pigments of the print products and the printing can vary somehwat from the image on your monitor. Depending on the settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. In view of the fact that our art prints are processed and printed by hand, there might also be slight deviations in the exact position and the size of the motif.
The product specifications
Product classification: | fine art print |
Method of reproduction: | reproduction in digital format |
Production process: | UV direct printing |
Product Origin: | Germany |
Type of stock: | on demand |
Intended product use: | wall décor, art reproduction gallery |
Alignment of the artwork: | landscape alignment |
Side ratio: | 1.2 : 1 (length : width) |
Aspect ratio implication: | the length is 20% longer than the width |
Materials you can select: | metal print (aluminium dibond), acrylic glass print (with real glass coating), poster print (canvas paper), canvas print |
Canvas on stretcher frame (canvas print) size variants: | 60x50cm - 24x20", 120x100cm - 47x39" |
Acrylic glass print (with real glass coating) sizes: | 60x50cm - 24x20", 120x100cm - 47x39" |
Poster print (canvas paper): | 60x50cm - 24x20", 120x100cm - 47x39" |
Dibond print (alumnium material) size options: | 60x50cm - 24x20", 120x100cm - 47x39" |
Art print framing: | not included |
Structured details of the piece of art
Title of the painting: | "Waterfall at Terni" |
Artwork classification: | painting |
Art categorization: | modern art |
Artwork century: | 19th century |
Year of creation: | 1826 |
Artwork age: | over 190 years old |
Painted on: | oil on paper, laid down on wood |
Dimensions of the original work of art: | 10 1/2 x 12 1/8 in (26,7 x 30,8 cm) |
Exhibited in: | The Metropolitan Museum of Art |
Place of museum: | New York City, New York, United States of America |
Website of the museum: | The Metropolitan Museum of Art |
License: | public domain |
Courtesy of: | The Metropolitan Museum of Art, New York, The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003 |
Creditline: | The Whitney Collection, Gift of Wheelock Whitney III, and Purchase, Gift of Mr. and Mrs. Charles S. McVeigh, by exchange, 2003 |
Quick overview of the artist
Artist: | Camille Corot |
Gender of the artist: | male |
Nationality of artist: | French |
Jobs: | painter |
Country of origin: | France |
Artist category: | modern artist |
Art styles: | Realism |
Age at death: | 79 years |
Born in the year: | 1796 |
Year of death: | 1875 |
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What does the The Metropolitan Museum of Art state about this artwork painted by Camille Corot? (© - by The Metropolitan Museum of Art - www.metmuseum.org)
Painters visited Rome and the surrounding countryside to record the natural beauty of the scenery and its antique monuments. The Cascata delle Marmore combines both, having been engineered in the third century B.C. to divert the river Velino into the Nera, a tributary of the Tiber. Corot visited the waterfall in summer 1826, attaining a mastery of plein-air technique that is characterized by the candor, naturalism, and seemingly intuitive structure of this sketch. Corot did not exhibit such informal works, but he tried to infuse the paintings he began to show at the Salon the following year with the same vigorous sensibility.