Carlo Dolci, 1670 - Adoration of the Shepherds - fine art print
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Supplemental information by The Cleveland Museum of Art (© - by The Cleveland Museum of Art - The Cleveland Museum of Art)
The historical significance of the Baroque painter Carlo Dolci, a precocious artist whose skill was recognized early by the leading Florentine patrons of his time, is often diminished due to his traditionalist compositions. Having gained local reputation as a talented portraitist and painter of religious narrative, Dolci's anti-Mannerist technique dismissed many of the leading Baroque trends as superfluous, retaining an unobtrusive and placid style in the manner of those before him. Having been a devout follower of the brotherhood of St. Benedict, Dolci draws upon a strict Christian iconography in his depiction of the shepherds' witness account of the birth of Christ. --Charles Eppley (January 2009)
Structured artwork data
| Artpiece title: | "Adoration of the Shepherds" |
| Classification of the work of art: | painting |
| Generic term: | classic art |
| Century: | 17th century |
| Year of creation: | 1670 |
| Approximate age of artwork: | around 350 years |
| Artwork original medium: | oil on canvas |
| Dimensions of the original artwork: | Framed: 108 x 90,2 x 7,7 cm (42 1/2 x 35 1/2 x 3 1/16 in); Unframed: 88,6 x 70,5 cm (34 7/8 x 27 3/4 in) |
| Museum / location: | The Cleveland Museum of Art |
| Museum location: | Cleveland, Ohio, United States of America |
| Museum website: | www.clevelandart.org |
| License of artwork: | public domain |
| Courtesy of: | The Cleveland Museum of Art |
| Artwork creditline: | Mr. and Mrs. William H. Marlatt Fund |
Artist summary
| Name: | Carlo Dolci |
| Alias names: | Dolcino, Dolci Carlo, Carlin Doulcy, Carl Lodolci, Carlo Dolcino, Dolzi da Fiorenza, Carlino or Carlo Dolci, Carlo Dolze da Fiorenza, Dolche, Carlo Ducci, Car. Dolcé, Carlodolchi, Carlo Dolci dit Carlin Dolché, Dolci Carlo, Carlino, C. Dolca, Carlo Dolce da Fiorenza, Dolce Carlo, Carl Dolci, Carlino-Dolci, C Dolci, Carolo Dolce, C Dolce, Carlo Dulge, C. Dolce, Dolce, Carlo Dolcci, C. Dolie, Carlo Dolei, Carlo Dolcy, Carlino Dolci, Carl Lodolcy, C. Dolsce, C. Dolei, C. Dolu, C[arlo] D[olci], Carlin Dolci fiorentino, Carlodolci, Carle Dolci, Carlin Dolce, Carlino d'Olce, Carlino Dolce, Carlo Dolu, Carl. Dolce, Carlin Dolche, Carnillio Dolce, Carlo Dolci, Car. Dolci, Carlino Dolche, Cartin Dolchy, Carlo Dolchy, Carolo Dolci, Dolci, Dolci Carlino, Carl Dolzi, Carl. Dolci, Carlo Dolsje, Carlin Dolci, C. Dolci, Carlo Dolchi, Carolo Dulci, Carlin Dolze, Dolze, Carlo Doulcy, Carle Dolcé, Carlo Dulci, Carlo Dolce, Dolce Carlo, Caro Dolce |
| Artist gender: | male |
| Nationality of artist: | Italian |
| Jobs of the artist: | painter |
| Country of origin: | Italy |
| Artist category: | old master |
| Styles of the artist: | Baroque |
| Lifetime: | 71 years |
| Year born: | 1616 |
| Born in (place): | Florence, Firenze province, Tuscany, Italy |
| Died in the year: | 1687 |
| Town of death: | Florence, Firenze province, Tuscany, Italy |
Product specs
| Product categorization: | art reproduction |
| Reproduction: | digital reproduction |
| Production technique: | UV direct printing (digital print) |
| Production: | produced in Germany |
| Stock type: | on demand production |
| Proposed product use: | art reproduction gallery, wall picture |
| Alignment of the artwork: | portrait format |
| Image ratio: | (length : width) 1 : 1.2 |
| Implication of side aspect ratio: | the length is 20% shorter than the width |
| Materials: | acrylic glass print (with real glass coating), metal print (aluminium dibond), canvas print, poster print (canvas paper) |
| Canvas on stretcher frame (canvas print) variants: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
| Acrylic glass print (with real glass coating) size variants: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Poster print (canvas paper) sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Aluminium print sizes: | 50x60cm - 20x24", 100x120cm - 39x47" |
| Picture frame: | not included |
Product materials our customers can choose
For every art print we offer a range of different sizes & materials. You can choose among the following product customization options:
- Canvas: A UV printed canvas applied on a wood stretcher frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Therefore, canvas prints are suited for all types of walls.
- Acrylic glass print (with real glass coating on top): An print on acrylic glass, often labelled as a an art print on plexiglass, will turn your original work of art into brilliant décor.
- Poster (canvas material): The poster print is a printed sheet of flat canvas paper with a slight finish on the surface. It is suited for placing the art print in a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the print motif, which facilitates the framing.
- Aluminium dibond (metal print): An Aluminium Dibond print is a print material with an outstanding depth. The white and bright parts of the original artwork shine with a silk gloss but without the glare. The colors are luminous and bright in the highest definition, the details of the print are clear and crisp, and the print has a a matte appearance that you can literally feel.
Summary of the art replica Adoration of the Shepherds
In 1670 Carlo Dolci painted the painting. The 350 year-old painting measures the size: Framed: 108 x 90,2 x 7,7 cm (42 1/2 x 35 1/2 x 3 1/16 in); Unframed: 88,6 x 70,5 cm (34 7/8 x 27 3/4 in). Oil on canvas was used by the European artist as the medium of the artwork. This artwork is included in the The Cleveland Museum of Art's art collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. We are glad to state that the artpiece, which is in the public domain is supplied with courtesy of The Cleveland Museum of Art. In addition to that, the artwork has the creditline: Mr. and Mrs. William H. Marlatt Fund. Moreover, alignment is portrait and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The painter Carlo Dolci was a European artist from Italy, whose art style can be attributed mainly to Baroque. The Italian artist lived for 71 years - born in 1616 in Florence, Firenze province, Tuscany, Italy and deceased in 1687.
Important legal note: We try all that we can in order to describe the art products as clearly as we can and to display them visually. Still, the tone of the print products, as well as the print result may vary slightly from the representation on the device's monitor. Depending on the screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. Considering that all our art reproductions are processed and printed manually, there might also be slight deviations in the size and exact position of the motif.
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