Georges Seurat, 1886 - A Sunday on La Grande Jatte - 1884 - fine art print

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In the dropdown menu right next to the product you can choose your individual size and material. Hence, we allow you to choose among the following options:

• Poster (canvas material): Our poster is a UV printed cotton canvas paper with a slight surface finish. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the work of art, which facilitates the framing with your custom frame.
• Aluminium dibond print: This is a metal print made on aluminium dibond with a true depth effect. A direct Direct Print on Aluminum Dibond is the best start to the sophisticated world of art reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print the favorite artwork onto the surface of the white-primed aluminum. The bright & white parts of the artpiece shimmer with a silky gloss but without any glow.
• Printed acrylic glass: A glossy acrylic glass print, which is often referenced as a fine art print on plexiglass, will convert the original into lovely wall décor. The work of art is made with the help of state-of-the-art UV printing technology. This creates sharp and rich color shades. With an acrylic glass fine art print contrasts and smaller artwork details become visible thanks to the subtle gradation. Our plexiglass protects your chosen art replica against light and heat for between 4 and six decades.
• Canvas: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. A canvas generates the extra effect of three-dimensionality. Your canvas of your favorite masterpiece will allow you to transform your art print into a large size work of art like you know from art galleries. Canvas Prints have the advantage of being low in weight. This means, it is quite simple to hang up the Canvas print without the use of additional wall-mounts. Therefore, a canvas print is suited for any kind of wall.

Important information: We try our utmost in order to describe the art products as accurate as it is possible and to showcase them visually on the product detail pages. Nevertheless, the tone of the print products and the print result might differ to a certain extent from the image on your monitor. Depending on the screen settings and the nature of the surface, not all color pigments are printed as exactly as the digital version. In view of the fact that all the art reproductions are processed and printed by hand, there might also be slight differences in the size and exact position of the motif.

Supplemental information from Art Institute Chicago (© - by Art Institute Chicago - Art Institute Chicago)

“Bedlam,” “scandal,” and “hilarity” were among the epithets used to describe what is now considered Georges Seurat’s greatest work, and one of the most remarkable paintings of the nineteenth century, when it was first exhibited in Paris. Seurat labored extensively over A Sunday on La Grande Jatte—1884, reworking the original as well as completing numerous preliminary drawings and oil sketches (the Art Institute has one such sketch and two drawings). With what resembles scientific precision, the artist tackled the issues of color, light, and form. Inspired by research in optical and color theory, he juxtaposed tiny dabs of colors that, through optical blending, form a single and, he believed, more brilliantly luminous hue. To make the experience of the painting even more intense, he surrounded the canvas with a frame of painted dashes and dots, which he, in turn, enclosed with a pure white wood frame, similar to the one with which the painting is exhibited today. The very immobility of the figures and the shadows they cast makes them forever silent and enigmatic. Like all great master-pieces, La Grande Jatte continues to fascinate and elude.

About the product

The 19th century work of art was made by Georges Seurat in 1886. The original was made with the size: 207,5 × 308,1 cm (81 3/4 × 121 1/4 in). Oil on canvas was applied by the European painter as the technique for the masterpiece. The artpiece has the following text as inscrption: inscribed at lower right: Seurat. Moveover, this piece of art is in the the Art Institute Chicago's digital collection, which is located in Chicago, Illinois, United States of America. This public domain masterpiece is being supplied with courtesy of Art Institute Chicago. Creditline of the artwork: Helen Birch Bartlett Memorial Collection. In addition to that, the alignment of the digital reproduction is landscape and has a side ratio of 3 : 2, meaning that the length is 50% longer than the width. Georges Seurat was a painter, drawer, whose art style can mainly be classified as Pointillism. The artist was born in the year 1859 in Paris, Ile-de-France, France and died at the age of 32 in the year 1891 in Paris, Ile-de-France, France.

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