Thomas Cole, 1839 - New England Scenery - fine art print

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• The acrylic glass print (with real glass coating): An print on acrylic glass, often described as a UV print on plexiglass, transforms your favorite artwork into great décor and makes a great alternative option to aluminium and canvas prints. Your favorite artwork is manufactured with the help of state-of-the-art UV printing machines. With an acrylic glass art print contrasts and minor painting details will be identifiable due to the very fine tonal gradation.
• Aluminium dibond print (metal): These are metal prints on aluminium dibond material with an outstanding effect of depth. A non-reflective surface structure creates a modern look. The Aluminium Dibond Print is your best start to prints on aluminum. For our Direct Aluminium Dibond print, we print the chosen artpiece onto the aluminium composite white-primed surface. The white & bright parts of the work of art shimmer with a silky gloss, however without glare.
• The canvas print: The UV printed canvas applied on a wooden frame. Furthermore, a printed canvas makes a cosy and enjoyable impression. A printed canvas of this artwork will let you turn your art print into a large collection piece like you would see in a true gallery. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Canvas prints are suited for any kind of wall.
• Printed poster on canvas material: Our poster print is a printed canvas paper with a granular surface finish, which resembles the original version of the artwork. Please note, that depending on the absolute size of the poster we add a white margin between 2-6cm round about the print, which facilitates the framing with your custom frame.

Legal disclaimer: We do the best we can to depict our art products as clearly as possible and to exhibit them visually in our shop. Although, the tone of the printing material and the imprint might differ slightly from the image on your device's monitor. Depending on your screen settings and the nature of the surface, color pigments might not be printed 100% realistically. Considering that our are processed and printed manually, there might also be slight deviations in the motif's exact position and the size.

Additional information by the museum (© - Art Institute Chicago - Art Institute Chicago)

Although Thomas Cole is best known for his scenes of the American wilderness, he also rendered pastoral vistas of cultivated landscapes. This work depicts New Hampshire’s White Mountains, an area that Cole traveled to and painted on numerous occasions, as did other 19th-century landscape artists. The prominent church spire at middle distance emphasizes the role of religion in agrarian society and the glow of the low sun expresses a sense of optimism for a rural America. The painting conveys an ideal that was increasingly far from reality, however, as the United States was then being transformed by rapid urbanization and the Industrial Revolution.

Details of this art product

The 19th century masterpiece was painted by the painter Thomas Cole in 1839. The original measures the size: 57,1 × 46,7 cm (22 1/2 × 18 3/8 in) and was crafted with the technique oil on canvas. It was inscribed with the following information: "signed on lower section of tree trunk: "T Cole" Dated at bottom, left of center: "1839"". What is more, the artpiece forms part of the Art Institute Chicago's art collection. We are delighted to state that the artpiece, which belongs to the public domain is being provided with courtesy of Art Institute Chicago. Creditline of the artwork: Mr. and Mrs. Samuel M. Nickerson Collection. In addition to this, the alignment of the digital reproduction is in portrait format and has a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. Thomas Cole was a painter, whose art style was mainly Romanticism. The North American painter lived for 47 years, born in 1801 in Lancashire, England, United Kingdom, county and deceased in 1848 in Catskill, Greene county, New York state, United States.

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