Fernand Cormon, 1897 - Sketch for the amphitheater of the Museum of Paleontology of Natural History in Paris: Human Races (Ceiling) - fine art print
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Artwork description as provided by Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)
The ceiling, treated allegorically and composed in an upward spiral, is the parade of various races emerging from ancient times, advancing to civilization and progress. Bottom of the table, a prehistoric family follows the procession of armored men and horsemen who head a painter lumineux.Le sky gives its attendant ideological significance. The upward movement toward the "civilization and light" is driven by what he called the Aryan races. This vision of a Wagnerian lyricism is in the colonial context but also antidreyfusard the last years of the nineteenth century France.
April 18, 1893, the State entrusts Cormon the realization of a decorative ensemble of ten panels wall and a ceiling for the amphitheater of Paleontology and the Museum of Anthropology of Natural History in Paris. Fruit of lengthy documentation and conducting preliminary sketches, the auditorium's decor is inaugurated in 1898 and is still in place today. It presents a series of scenes recreating what one could imagine the early days of humanity in view of scientific knowledge nouvelles.Cormon presented first decorative together (with preparatory studies in December 1897 Circle artistic Union, rue Boissy d'Anglais. Then, all of the final panels, preparatory sketches, cartons, sketches and drawings were presented at the Salon of french artists Society 1898 (unique number 522 )
Allegorical Scene, Civilization, Procession, Allegory
The modern art painting called Sketch for the amphitheater of the Museum of Paleontology of Natural History in Paris: Human Races (Ceiling) was created by the painter Fernand Cormon in 1897. The version of the work of art was made with the absolute size Height: 76 cm, Width: 118,5 cm. Oil painting was used by the painter as the medium of the masterpiece. Date and signature - Signed and dated lower left: "Cormon 97 F." is the artpiece's inscription. Furthermore, the work of art is included in the art collection of Petit Palais - Musée des Beaux-arts de la Ville de Paris. The modern art public domain piece of art is being supplied with courtesy of Petit Palais Paris.: . What is more, the alignment is in landscape format and has an aspect ratio of 3 : 2, meaning that the length is 50% longer than the width.
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- Glossy acrylic glass print: An print on acrylic glass, which is sometimes described as a fine art print on plexiglass, changes your favorite original work of art into beautiful wall decoration. The artwork will be made with modern UV direct printing machines. This creates deep and rich color tones. Our plexiglass with real glass coating protects your selected art print against light and external influences for many years.
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- Aluminium dibond print: Aluminium Dibond prints are metal prints with an outstanding depth effect. For the Direct Aluminium Dibond print, we print the artpiece right onto the aluminium white-primed surface. The colors of the print are vivid and luminous in the highest definition, details of the print appear clear and crisp.
- Canvas: A canvas print is a printed canvas mounted on a wood frame. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. Canvas prints are suited for all types of walls.
Short overview of the artist
Name of the artist: | Fernand Cormon |
Professions: | painter |
Artist classification: | modern artist |
Died aged: | 79 years |
Born: | 1845 |
Hometown: | Paris |
Died in the year: | 1924 |
Town of death: | Paris |
Background data on the unique artpiece
Title of the piece of art: | "Sketch for the amphitheater of the Museum of Paleontology of Natural History in Paris: Human Races (Ceiling)" |
Artwork categorization: | painting |
Category: | modern art |
Temporal classification: | 19th century |
Year: | 1897 |
Approximate age of artwork: | around 120 years |
Painted on: | Oil painting |
Size of the original artpiece: | Height: 76 cm, Width: 118,5 cm |
Original artwork inscription: | Date and signature - Signed and dated lower left: "Cormon 97 F." |
Museum / collection: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Museum location: | Paris, France |
Website: | www.petitpalais.paris.fr |
License of artwork: | public domain |
Courtesy of: | Petit Palais Paris |
The product specifications
Print product type: | fine art reproduction |
Method of reproduction: | digital reproduction |
Production method: | UV direct printing (digital print) |
Production: | manufactured in Germany |
Stock type: | on demand |
Product usage: | art print gallery, wall decoration |
Image alignment: | landscape alignment |
Image ratio: | length to width 3 : 2 |
Interpretation of image aspect ratio: | the length is 50% longer than the width |
Materials available: | poster print (canvas paper), acrylic glass print (with real glass coating), canvas print, metal print (aluminium dibond) |
Canvas print (canvas on stretcher frame) options: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Acrylic glass print (with real glass coating) sizes: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Poster print (canvas paper) sizes: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Dibond print (alumnium material) sizes: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Picture frame: | unframed art print |
Important information: We try to describe our art products as accurately as possible and to showcase them visually on the product detail pages. Still, the pigments of the print materials, as well as the printing may differ somehwat from the image on the device's screen. Depending on the screen settings and the nature of the surface, not all color pigments can be printed one hundret percent realistically. Given that all the fine art prints are printed and processed by hand, there might also be minor discrepancies in the motif's exact position and the size.
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